Ortofon Cadenza vs. old Ortofon MC30 Super2 ?

The long awaited follow up (for nobody listening)... I’ve answered my own question. I finally got a Cadenza Blue, and it is everything I want out of a cartridge! Tonal balance is perfect (for me). Dynamics are tremendous. Distortion is low. No issues at the inner groove like with my old MC30super2. And the real surprise is how much quieter it runs. Dust & surface noise are reduced compared to all other cars I’ve owned. I simply love it.

As for comparing it directly with my old MC30 SuperII, the Cadenza Blue does have the same tonal balance and character, which is exactly what I was looking for. The Blue is, of course, better in every way.

I’ve also since, upgraded my Parasound JC3 to a JC3+. I went for it due to the greatly increased S/N ratio specs for the MC stage. While the JC3+ is quieter, it’s not the 8 dB quieter that the specs would imply. Rather the noise spectra is different and it sounds like they’ve reduced it in the upper mids the most. This is is a good thing, but it really only sounds about 2-3 dB quieter than the JC3. The + is also a bit more dynamic.

Trading up to the JC3+ ended up costing me about $1000, after selling my old one on Ebay. It’s hard to say if the improvement is really worth that much, but it’s done and I’m very happy with the JC3+. With the Cadenza Blue’s output of 0.5mV, the electronic noise floor is hardly an issue for me anymore.

@mirolab

I’m listening!

Was sitting here listening to my MC 30 Super wondering just good it is and where I should go next.

Thanks for the comparison and review!

Perhaps a Cadenza or something in that range is on the horizon.

@theflattire Cool that you are still running that old cart! There were some interim steps not mentioned. I first tried to replace it with a Soundsmith Zephyr mkII or mk3. ($1200) Very very nice cart.... but so nice that it was boring. I used it for a year and got used to it, but found I wasn’t listening so much. Then I put my old MC30 SuperII back on, and whoa! there it was. The excitement was back!! Even with its faults, I liked the MC30 better than the Zephyr.

I sold the Zephyr for ~600, and bought a used Quintet Black for $580. I liked it very much. Smooth and dynamic. Maybe just a tad warmer than what I was really looking for, but satisfactory. Probably the combination of Shibata + Boron put it on the warmer side. The fact that I liked it tho, meant to me that I’d probably like a Cadenza even better.

Then it happened! Ortofon had a 20% off any Cadenza with trade of an MC cart of ANY BRAND! Well... I had an old Blue Point Special maybe worth about $200 (if I was lucky) and I used that to get $400 off my Cadenza Blue.

I’ve still yet to try it with my Step-Up transformer (from the ’80’s). It’s a pretty good one i’m told, and it makes an MC totally noiseless, but with the slightest loss of some detail. Gives a bit more girth to the mid bass too, which is nice. I need to hook it up!

@mirolab 

Thanks!

I need to stop buying vintage carts and re-tipping them!

Been looking at Van den Hul and Benz mostly, besides Ortofon.

Honestly I'm perfectly happy with what I have now, but the greener grass keeps calling.

I run all my MC through Hashimoto HM-7s.

Thanks for the follow up!

@theflattire I just looked at the HM-7's and HM-5's.  Do you also use that switch box that they're currently being sold with?  Have you ever vigorously compared using the SUT vs. just the MC gain stage?  (if u have one)  

I'm wondering if you get the same slight loss of detail that I observe.  All these years I been chasing higher output MC and lower noise preamp, but wonder if a better SUT would have been the better solution??  My preamp is the Parasound JC-3+.  The MC stage is quiet 'enough', but not dead silent like when using the SUT.

Right now, looks like a pair of HM5's and the interface box can be had for $750, if I wire it up myself.  I do see the HM7's are wider bandwidth.