"The specifications for D/A chips have improved over the years". But has the sound improved? Chris Bryant, whom I have already quoted, summarizes it like this.
To my mind there has been a general and continuing downward shift in the sound quality extracted from DACs over the past 20 years. DACs are produced by semiconductor manufactures and require large volumes to make operations economic as most of these will find their way into cheap products, there is little incentive to create good sounding components.
The DACs available for the HIFI designer will also be found in computer sound cards, personal digital stereos and televisions. As a result many modern examples have lost their audiophile verve, as the semiconductor manufactures prefer to make cheaper and lower powered devices better adapted to their principal, high volume customer's needs.
These mass produced low-bit converters do deliver excellent measured performance, but often seem unable to deliver the goods when real high fidelity sound reproduction is required."
This is the other side of the "if it is newer it must be better" argument. Personally, I have not heard enough decoders on my system to have fixed ideas on the subject. I only introduced these ideas to point out that there are differences between informed observers as to the general sound trend in CD. One distressing element is that the big Japanese audio companies who , with Phillips, were the driving force behind CD originally took their best designers off it's further development years ago. I think there are two things we can agree on: One , each DAC has to be evaluated on its own merits and Two, after all this time CD should sound better that it currently does.
To my mind there has been a general and continuing downward shift in the sound quality extracted from DACs over the past 20 years. DACs are produced by semiconductor manufactures and require large volumes to make operations economic as most of these will find their way into cheap products, there is little incentive to create good sounding components.
The DACs available for the HIFI designer will also be found in computer sound cards, personal digital stereos and televisions. As a result many modern examples have lost their audiophile verve, as the semiconductor manufactures prefer to make cheaper and lower powered devices better adapted to their principal, high volume customer's needs.
These mass produced low-bit converters do deliver excellent measured performance, but often seem unable to deliver the goods when real high fidelity sound reproduction is required."
This is the other side of the "if it is newer it must be better" argument. Personally, I have not heard enough decoders on my system to have fixed ideas on the subject. I only introduced these ideas to point out that there are differences between informed observers as to the general sound trend in CD. One distressing element is that the big Japanese audio companies who , with Phillips, were the driving force behind CD originally took their best designers off it's further development years ago. I think there are two things we can agree on: One , each DAC has to be evaluated on its own merits and Two, after all this time CD should sound better that it currently does.