Dickie Betts died earlier today at 80 years of age

……wolf_garcia you hit the nail on the head. I was in Saratoga, NY to see the ABB in 1995 I do believe when Dickie did some not so good things in the town and when the show was over the local police handcuffed him and took him away . One of last straws with the band who trying to get clean . I recall one of the first shows with Derek Trucks a few years later and I couldn’t help but think and say to my brother ……”’ Who is this little kid “ ? He was standing next to some musical giants . I had in my first post here Derek is a incredible guitar player but like Wolf said that Dickie had a distinct style of playing that could not, will not be replaced and that’s what made him sooo good . Dickie had his own style but I would like to think that Duane had a part in it that made that ABB sound . When he was ummmm asked to leave the Band , that “ original ABB sound was also gone . He will be missed …..

Well said OP. As I have grown older, I have been able to upgrade my audio equipment and enjoy albums I grew up listening to. I can revisit "old friends" I never met. I am currently writing this listening to "Melissa." Dickie Betts was certainly one of those folks. R.I.P. Mr. Betts.

Thought it was a good time to share the story about the Live at the Filmore cover, such a classic with everyone laughing and smiling. In case you didn't hear the backstory:

There's a famous story that goes with the shooting of the Allman Brothers cover.

According to Skydog: The Duane Allman Story by Randy Poe, the band was originally photographed for the album cover under the Fillmore East marquee. But no one liked he results.

So famed New York cover photographer Jim Marshall was sent 900 miles south to Macon to photograph the band.

At a roadie's suggestion, they decided to shoot it against a brick wall across from the studio. They also decided to shoot the roadies for the back cover at Duane's suggestion. (One of the longtime roadies, RED DOG, was not there that day so they put his picture up top afterwards.)

According to Greg Allman's autobiography, Not My Cross to Bear, Marshall could not get the band to smile for the longest period of time. Also, it was a cold day and they were shivering.

Toward the end of the session Marshall told them "Just one more roll..." and went about putting another negative roll into his camera. Just at that moment, who should Duane see walking down the street, but his drug dealer. Quickly Duane got up, made his purchase, ran back, and hid what he had bought behind his hands in his lap.

The "naughty schoolboy" nature of the transaction, which Jim Marshall didn't see, got the rest of the band feeling giddy, and they all stated laughing Ñ which is precisely when Marshall got his long-awaited shot.

Dylan is a Betts fan. One chapter in the recent book Pledging My Time: Conversations With Bob Dylan Band Members by Ray Padgett is a Betts interview.

Here's an Otis Gibbs video from a coupla months back:

I recall an interview in which he said "my sh*t is so simple, anyone could play it". Such humility from a guy who was able to convincingly share guitar duties with Skydog! No small feat!

I’ve always regarded his solo on Stormy Monday as a masterful example of how to build a solo. He starts off sweet and soulful with lots of space and lovely phrasing and increases the density and intensity of his lines to reach a screaming peak. I’ve always treasured his playing from the Live Fillmore shows as much as Duane’s. And listen to his slide playing on Melissa. Talk about making a guitar cry. I can’t but think he was pouring out his grief over Duane’s passing.

I would disagree that Derek lacks chops compared to Dickie. Derek has phenomenal chops. What I hear in Betts’ playing is a less overtly technical approach that is extremely melodic and emotionally direct. This is my perception. Others may have a different take but we can all agree on one thing-- he was one of those players with an easily identifiable signature style. This alone makes him very special.