DAC with the best midrange ever.....


Please keep this topic straight to the question and try not to go off tangent. I am very specific with this need.
Most musical and melodic dac, I DONT LIKE the new benchmark dac even with all the rave out there that much but I liked the Musical Fidelity A324 dac.
The Audio Aero Capitol was nice but I prefered the SONY SCD1 even though its much older. I am a huge analog fan...
This should give you an idea as to what I am actually trying to find if you have had any of the mentioned units.
thanks
rapogee
Lots of good comments here. From the Krell products I have heard, the sound has always been rather sterile, dimensionally flat, but very resolving. I can say the same about Ayre, Spectral, Levinson(Madrigal), Klyne, etc.

I have heard some of Rapogee's digital gear in my system. The Audio Aero Capitole was actually quite impressive. If you don't hear midrange magic here, you need to focus on other links in your system.

A tube amp is not going to affect the performance you seek anywhere near to the same level as a tube line stage. I have been through many tube line/phono stages and amps, and time after time, the tube line stage is the make or break link in the system when it comes to capturing midrange textures, harmonic overtones, ambiance, etc. Drop in a tube line stage preferably one with a tube power supply and compare to the Ayre and you will never go back. And then compare the Audio Aero Capitole with your solid-state DACs to know how good the Audio Aero Capitole truly is.

The problem with changing the amp is that the amp/speaker selection always go hand in hand with each other. Other than impedance matching between line stage and amp, your options on line stages will be far greater.

Another super critical link here is the IC from line stage to amp. Try to audition the Jade Audio Hybrid, Stealth Indra, Purist Dominus to get a feel for how significant these cables in this link can affect the sonic attributes I mentioned above.

I would suggest you hunt down or borrow line stages from Aesthetix, VAC, and BAT as a staring point to get a feeling as to what you are missing here. The Audio Research Reference 1 and 2 line stages do not compete here. As much as you might be a Krell and Ayre fan, these product lines do not excel in the areas for which you seek now. Until you address this, not even the power of the magical DAC from heaven has a chance of shining through.
All oversampling DACs turn acoustic music into artificial garbage.

The mentions of MHDT are right on the money. They are surely impossible to beat at their price point.

For more $, the Audio Note DACs are the best.
Agree with Paul and above, no oversampling please.

Owned Audio Logic, Cal Alpha, heard and liked Altmann and Audio Note.

Currently, Museatex Bitstream outfitted with Furutech Gold IEC, provides ultimate musicality across the board.
Jafox (John's) comments make total sense, right on the money, I may add.

(I bet that Manley Dac is smokin good)
"time after time, the tube line stage is the make or break link in the system when it comes to capturing midrange textures, harmonic overtones, ambiance, etc."

Swirching the Audio Research sp 16 into my system has convinced me of this finally as well.

The mhdt DAC and ARC pre are absolutely fabulous together! Digital in my system improved significantly along the lines Jafox relates with these two and I feel my system as a whole now gives up little if anything to some the best systems I have auditioned out there.

Phono is improved as well but not as much...it was already pretty good to start with prior..