My system is as follows:
1980s / 1990s / 2020s - Cartridge: Benz Micro, Koetsu Black, Grado 78, Koetsu Rosewood Signature, Koetsu Onyx, Koetsu Leopard
1980s / 2010s - Tonearm: Sumiko MMT, Jelco SA-750EB
1980s - Table: VPI HW MK IV with SAM
2020s - Step-Up Transformer: Pro-Ject Tube Box DS2
1980s - Preamp: Beard P505
2010s - Phase Alignment: BBE282ri sonic maximizer
1990s - Subwoofer: Velodyne ULD-15
1980s / 2020s - Amps: Julius Futterman OTL3s, converted to triode by Jon Specter
1960s - Crossovers: Mastering Lab
1950s - Speakers: Altec Lansing 604C coaxial studio monitors
2020s - Semi-anechoic room design and treatment: by architect C.B. Wayne
I guess that you could say from the above that I am agnostic on the question: if the component fits, you must work with it (apologies to Johnnie Cochran).
That said, today’s technological options are distorted by income and wealth inequality: back in the day when I built my own tube amp from a Dyna Stereo 70 kit by David Hafler, a high quality audio system was within the financial grasp of middle and working class folk, which was David’s intention. Today, I mean, what really is the purpose of a $600,000 pair of speakers other than to compensate for male ego insecurity? Is it any wonder that the majority of people today content themselves with streaming over their earbuds?