Thank you ozzy62 and yyzsantabarbara. It’s interesting about the cables resolving your issue.
It may be best for me to try the 30- or 60 (preferred)-day trials offered for the HPA4. I’m at the stage in my life where I have a fine system that I love without the drive to make any major changes to my system. The one exception is with my Boulder line stage. So, my best bet might be to first compare the Boulder against the HPA4, and move on from there.
One issue simply may be that I still prefer vinyl over digital sound. I’ve noticed that the move towards balanced inputs and outputs has increased with amps and preamps. A trend to fully balanced components is becoming the norm, and I find that somewhat disappointing. What’s most interesting, is that the reviews from both users and professionals are mostly done with DACs with these components. And, even more interesting, fully balanced tube designs are on the rise. With the passing of the decades, I have seen this trend come and go. For example, I still own my BAT VK5 line stage from the nineties that is fully balanced and tubed. Later, the swing would return to single-ended and so on.
A number of years ago, after I purchased my 300B monos, I was ready to purchase a Tron Seven line stage to complement my Tron Seven phono. I would discover that the Seven line was discontinued. While the Seven line was still around Tron released their new Atlantic line stage. In terms of sound, it was Atlantic, Seven, and Syren at the top. Today, there is also the Nemisis. With the Seven out of the picture it created a hole in what I was after. I filled that gap with my Boulder and had it re-capped by Boulder 5 years ago. I was honestly surprised by how good the system now sounded.
If the HPA4 does not improve my sound, sheen or no sheen, I have a couple of other contenders that I’m considering. Right now, these are the SPL Elector and the LTA microZOTL. These are analog line stages that offer single-ended ins and outs with excellent reviews.