So, a reviewer just said something I need to talk about.


I will not mention the reviewer, nor the specific equipment being reviewed, but this statement was made, talking about sax and strings: "the strings had real body, and it sounded like real strings being played". The tonality of the instruments was what he/she was talking about. I get this. The tone, the spatiality of the instruments, the stage that was presented. All well and good. What about the engagement between the listener and the musician. I have stated so many times here, ad nauseam, that the most important aspect of music listening, for me (and not enough with other listeners) is the "playing of the instruments". The artistry of the musician behind those strings. I just don’t get it. When I listen to Jeff Beck (RIP), using him as an example, what I am attracted to, FIRST & FOREMOST, is his PLAYING. Reviewers talk about "sound". Most people here talk about "sound". I spend more time now on other sites, that speak about the music playing and, the compositions. For whatever reasons, I seem to be realizing, that A’gon members, as so many reviewers, talk about sound. They very rarely mention MY most important aspect of listening. The musicianship and the compositions. Another rant from me. What are your thoughts on this? How do you listen? What do you listen for/to? What does your system convey to you? I know I am out of line again, but........My best to everyone. Always, MrD.

mrdecibel

Op member Skhong has a thread visiting MikeLavigne and download Mike and his system . Those system have amazing sound and musicality.Both audiophile are very knowledgeable .

Number first for me is, I Have to Like the Music.  The performance.  Then, how it sounds and how my system reproduces it.  Yes.  I could nit pick the technical issues of my or "the system" and recording.  But I have a limit to how much "issues" I will tolerate.  If I don't like the Music, I'm not going to purchase it, cue it up, sit and listen to it.

For me the brilliance of the musician is why I listen- His music, execution, cleverness of the delivery- all these are the "hooks" that pull me in.

I'd go along with that . . . and I think that maybe most people would.  But if the recording does not capture all of that and the system doesn't play that back.from the recording, all of that is lost.  

@wolf_garcia "It would be ridiculous to judge any music for sound instead of musicianship". "Do people actually do that?" EXACTLY my point ! Yes wolf, there are many. Too many in fact, which I find sad. However, if they are enjoying their systems, who am I to suggest to them what to listen for. I know what to listen for to satisfy my enjoyment, as everyone does in their own way. ymmv. My best, MrD.

What about the engagement between the listener and the musician. 

Agree that “engagement” is important, but that’s “personal” engagement.  Whether other people’s engagement is important in evaluating gear seems like a bad idea as engagement is highly based on subjective preferences. Even one’s mood can change engagement.  A 300b lover might be engaged, while another might not but instead seeking neutrality and fast dynamics.