I have the C7ES-XD Harbeths
Watts! How many do we need?
Got a new amp. Accuphase P-4600. It’s great. I love it.
150 watts into 8 ohms, 300 watts into 4 ohms and it has meters so I can see wattage. Have them set on freeze so I can see the highest wattage during the session.
My Harbeth speakers are not very efficient. Around 86db. Their impedance is an even 6 ohms dipping no lower than 5.8 ohms.
Playing HiRes dynamic classical recordings ( Tchaikovsky , Mahler) at room filling volumes I have yet to exceed 1watt..
Amps today offer a lot of watts some going to 600 even 1200 watts. Even if you have inefficient speakers with an impedance that dips down to 2 ohms do we need all this wattage or should we be focusing on current instead?
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- 110 posts total
That's a very nice amp for those speakers, congrats. Fellow Harbeth owner - I'm seeing/hearing similar results. I think the "low" sensitivity of Harbeth's isn't that relevant with well-matched, high-current SS power which is exactly what you have based on Paul's video (able to double power from 8 to 4 ohms). Even if our meters are not perfectly calibrated, there is no doubt in my mind that they are a very good indication that the amp is barely breathing, and having virtually unlimited headroom is a really good thing. Enjoy it! |
@bigtwin Very interesting, thank you. |
@bigtwin -- the one thing missing in the info you posted is a reference to the listening volume in the room. Not everyone wants live rock concert volume in their home. The other common mistake concerns the level of peaks above the average playback volume. People often think that recordings have more dramatic peaks than they actually do. Digital recordings in particular have a max level that can't be exceeded. I've used Adobe Audition for years to edit all manner of recordings -- rock, folk, jazz, classical and others. One thing I've noticed, in particular in reference to albums recorded since the advent of digital in studios, is the volume uniformity of drum strikes -- a common source of audible peaks in music. Viewed digitally, one can easily see that dynamic peaks have been limited during the recording process. The uniformity is is sharp contract to the variable peaks one sees from old LPs recorded on analog tape. Even with the latter there was a max possible volume that could recorded on the tape so limiters were still used so the average playback level wouldn't be too soft. No one wants the average level so low that background noise gets in the way. |
- 110 posts total