Tube preamp topologies and music


I am searching for a tube power amplifier. I know very little (nothing) about what the pros and cons of tube topologies as they relate to certain types of music.

as an example, let’s take hard rock/heavy metal. It seems to be the consensus that say 300b single ended amps would be the wrong choice even if you had 100+db efficient speakers. Why is this?

Also, tube compliment. 211? EL84? 300B? I understand that they have power output differences, but what else?

 

I welcome everyone’s input.

gochurchgo

Most single-ended tube amplifiers have relatively high output impedance a) because only one output device is being used and b) because they usually don’t use feedback, which also contributes to higher output impedance and poorer damping factor. Your amp uses multiple devices in parallel, and also most likely a good bit of feedback, both of which greatly reduce the output impedance and increase the damping factor.

 

gochurchgo

I can highly recommend the tube amplifiers and preamplifiers of Aric Audio, and I agree that a "Push Pull" configuration might best provide what you are looking for. Give Aric Kimball (owner of Aric Audio) a call, he builds 7 different amplifiers with several different topologies.

He's great to have a conversation with and get some feedback; and he makes killer hand built tube gear, I've got several of his pieces including an EL34 "Push Pull" that is extraordinary.

@gochurchgo There are now class D amps that have the same distortion character as the best tube amps (but lower overall). Distortion is why tube amps sound the way they do, just as distortion is why most solid state amps sound harsh and bright. Put another way, the sonic signature of any amplifier is caused by its distortion signature.

So if you want an amplifier that is smooth, detailed and involving, you are not limited to tubes any more. Some (certainly not all) class D amps have a distortion signature that is identical to the best tube amps and so sound just like them too (although are more transparent owing to distortion being lower overall).

@gochurchgo Wrote:

So Probably a push/pull design would fare better? 

Yes. In my opinion, a push/pull class (A) tube amp would fare better, less distortion and more power than a single-ended class (A) design. Rogers High fidelity makes class (A) single-ended and class (A) push pull tube amps see here. 😎

Mike

I owned a Rogers EHF 200 and while it had gobs of power (KT150 / 127wpc) it was nowhere near as sweet and detailed as the Raven Osprey (6L6GC / 35wpc) that it replaced at less than 1/3 the cost  of the EHF (list price) and the Rogers is virtually impossible to resell with the “transferable lifetime warranty”.