I’m confused. Please explain.

@larryi Wrote:

  That is why “accuracy” and “fidelity to live music” are useless criteria; we have different goals and priorities in attaining that sound.

I agree!

Mike

I think the goal is to achieve a reproduction of the music that you find the most enjoyable and relaxing for the resources you are willing and able to devote for building a system. Do that and you've put together a system that works for you. Its not an algebra test.  

I like Willie Nelson, a remarkable talent. I've seen him a few times in different venues. When I listen to Willie on my system, it sounds like Willie, and sounds better than any of his live shows that I've attended, although you lose the excitement of watching him make music. I also like Leonard Cohen and his Live in London album is one of my favorite pieces of music. I wasn't there but I doubt it sounded better live than on my system given all the variables. Either way, I love listening to that recording on my system and that's good enough for me.

When I listen to Willie on my system, it sounds like Willie, and sounds better than any of his live shows that I’ve attended, although you lose the excitement of watching him make music.

Plus 1, @kerrybh. I’d say the same thing, except I have never seen Willie live, so it would be fill in the blank for that part. When I do listen to Willie on my system, I particularly enjoy the way my system beings out his unique annunciation when he sings--that’s the stuff I like to hear. Actually, when I did used to frequently attend small venues to see artists I was really into (Lucinda Williams, Steve Earle, Cowboy Junkies to name a few) seeing them perform was primary for me, and the sound quality of the performance was secondary. It was a plus when the SQ was good or great, but that was not what I went for.

I think the sound of real instruments is only part of the equation. Real instruments as they sound in which space, and from how close? I would not typically want a solo piano piece to sound realistically like I was in the middle of a big auditorium complete with two second reverb time. I want the expensive seat, right up close and personal, and as it would sound in a smaller space with few reflections but that’s just me.

Unless you were in the mastering room where the sonics are finalized, you have no real idea what a specific recording is supposed to sound like.  This applies to acoustic and non-acoustic recordings.  Live, unamplified music is an imperfect reference point, but still it is a reference.  Let's no dismiss it entirely.