Modern Covers of Classics


I'm putting together a playlist of covers just because I'm a little bored of my current playlists. There are plenty of threads on this but I'm looking for more modern covers. Some examples I already have are:

Dancing in the Dark - Biz Colletti

Don't come around here no more - Rhianna Giddens

You Can't always get what you want  - Lainey Wilson

Cindy I'll marry you some day - Robert Plant

Paint it Black - Wednesday Addams ( I know, weird, but compelling for some reason

Any suggestions? 

 

 

 

mcondo

Interesting how a cover can bring new life to a song or act as a lens through which previously unnoticed or under-appreciated aspects/qualities can be perceived/appreciated.

Having said that, for me it’s a fairly rare occurrence in popular genres There are plenty of (technically) competently-sung covers that sound generic because the artist simply lacks the creativity or vision to make it their own. And vocal technique can be a liability if that's all an artist brings to a cover.

Of course, it’s not just about the artist. If the listener has heard the song in its original version so often that they’re sick of it (thanks to "classic rock" radio formats, for example), then the ear may embrace a cover out of sheer relief.

There are some artists who, by virtue of a particularly idiosyncratic vocal approach manage to make any cover sound new. Richie Havens, Joe Cocker, Taj Mahal, Willie Nelson, Janis, Leon Russell, Lucinda Williams and Nina Simone immediately spring to mind.

I’d argue that Jazz, as a genre based in improvisation/reinvention is a treasure trove in this regard.

I’ve never cared for the Classical vocal esthetic but perhaps someone who is a fan can share their perspective

 

 

 

Try Apocalyptica - basically chamber session classical covers of Metallica

Then try Rodrigo Y Gabriella - acoustic guitar, somewhat classical guitar style Metallica covers

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This is a fun one:

Zonkey is a studio album by progressive rock band Umphrey's McGee. The album was released on November 11, 2016. It consists of mashups, combining various covers crossing different musical genres.

  1. "National Loser Anthem" ("The National Anthem" by Radiohead, "Loser" by Beck, "In the Air Tonight" by Phil Collins)
  2. "Life During Exodus" ("Exodus" by Bob Marley and the Wailers, "Life During Wartime" by Talking Heads, "25 or 6 to 4" by Chicago, "City Of Tiny Lites" by Frank Zappa)
  3. "Can't Rock My Dream Face" ("Rock with You" by Michael Jackson, "Dreams" by Fleetwood Mac, "Can't Feel My Face" by The Weeknd)
  4. "Sad Clint Eastwood" ("Sad but True" by Metallica, "Clint Eastwood" by Gorillaz)
  5. "Electric Avenue to Hell" ("Highway to Hell" by AC/DC, "Electric Avenue" by Eddy Grant, "The Triple Wide" by Umphrey's McGee)
  6. "Ace of Long Nights" ("Ace of Spades" by Motörhead, "It's Gonna Be a Long Night" by Ween)
  7. "Sweet Sunglasses" ("Sweet Dreams (Are Made of This)" by Eurythmics, "Sunglasses At Night" by Corey Hart, "Electric Feel" by MGMT)
  8. "Strangletage" ("Sabotage" by Beastie Boys, "Stranglehold" by Ted Nugent)
  9. "Come As Your Kids" ("Kids" by MGMT, "Come As You Are" by Nirvana, "You Spin Me Round (Like a Record)" by Dead or Alive)
  10. "Frankie Zombie" ("Thunder Kiss '65" by White Zombie, "Relax" by Frankie Goes to Hollywood, "Have a Cigar" by Pink Floyd)
  11. "Bulls on the Bus" ("Bulls on Parade" by Rage Against the Machine, "Mark on the Bus" by Beastie Boys)
  12. "Bittersweet Haj" ("Bitter Sweet Symphony" by The Verve, "Hajimemashite" by Umphrey's McGee)