Quality of recording while evaluating speakers
Melody Gardot, Diana Krall, and others.
The above recordings are done so well they sound absolutely Great in most systems. And then there are recordings that are not as open and have trouble filling the room enjoyably and yet the melodies are very good and it's unfortunate they didn't do a better good job in the recording studio.
So how do you evaluate a speaker other than to be familiar with a recording on how it sounds in your system versus how it sounds in another system. Basically we are at the mercy of Recording quality when we listen to our systems.
Even more painful is home theater streaming when the music is wonderful but the quality sucks and once in a while it sounds really good but this can be rare which is sad.
So speaker manufacturers have to deal with these issues and we put up with poor recordings and how does this factor into your decisions when evaluating new speakers?
So we end up buying really nice speakers knowing that so much of what we will eventually listen to Will not have been recorded very well making things a bit frustrating at times. There's only so much that can be done to make things sound better given these limitations. So how does one cope with all this?
It was more of a concern before streaming. Now I’ve got more well-recorded music — and much of it in hi res — at my fingertips across all genres than I could ever possibly listen to. If something’s not well recorded I just listen to it on my earbuds or on a Bluetooth speaker where its limitations are not as much of an issue. @immatthewj Heh heh. |
A great question. You have probably noticed that the same recordings are often playing at shows and in showrooms. Often they are music with lots of silence. Speakers / systems often sound their best when only reproducing a single sound or few. They can start tripping over themselves when complex music is played. I mean I don’t blame them, they want their equipment to be heard in the best possible light (ok, sound quality).
So, putting together a system / buying speakers is all about this… it is about assembling a system with the gestalt as the objective as opposed to a couple of variables. Listening intently on how much minute detail you can hear is a great way to head down the wrong path… slam also. To do this you need to take in the music and not listen to the system. The music to choose makes a big difference, as well as how you listen. Easy to say, hard to do. In my opinion a great system is musically compelling and very immune to sounding a lot better with great recordings and conversely bad with bad recordings. To get this you need to pick music you like (not necessarily great recordings) and a couple great recordings… but some music you used to like or kind of like, and maybe a couple not so good recordings. Then with this kind of play list listen to the music, and not the equipment. You do not want the dealer or salesman choosing what you hear… they are going to have (or should) a mental list of great sounding stuff. They should, but you want to either listen to random stuff or your own list to see how different kinds of recordings sound.
This is even more important today because once you start streaming ant the entire world of music opens up, you want everything to sound great so you can enjoy as much of it as possible… for the value of the music… not the recording. I have brought this up before, I had assembled a spectacular “reference system” that instantly made the mastering and venue obvious… stuck it in my face. Only the very best recordings sounded fantastic… most just sounded bland… although incredibly detailed. My system now sounds great, is compelling and musical. Only the very worst… I’m talking 1960’s Yardbirds… must have been recorded with tin can microphones on a 3” portable tape recorder sounds actively bad. Nothing you can do with those.
|
I was just listening to Yes Indeed by Elan Mehler from the Being There, Here album. The tune is really compelling… in the background are plates clinking and people talking. I have noticed i am captivated by the music and almost don’t hear the racket in the background. It would not surprise me if that would have driven me crazy on earlier versions of my system. The next tune starts with lots of racket. |
I think that one should audition speakers with the music that one listens to at home. So if that is thrash metal, rap, ambient or jazz lite vocalists, anything goes. No need to overthink it. If one listens to lo fi recordings (guilty here, I listen to 78s and 45 singles) it would make sense to audition using those same recordings. IMHO, too many owners allow recorded quality to dictate their musical taste, YMMV.
|
