As Frogman wrote before, for him the Miles’ “Second Great Quintet” is the greatest Jazz ensemble that ever was.
Any other thoughts?
If pressed, I would probably pick one of Bill Evans trios, as one that I like the most...pretty obvious, I know
Jazz for aficionados
Alex, I honestly can't agree with myself on what Miles group was best, so best all time is impossible, but what I really like about Miles' "Second Great Quintet" is how they not only play solos that carry over ideas from the previous solo, but they basically finished each other's sentences. They play fragments of an idea that another player picks up and finished. This fragmentation gives it a little uneven sound, until you start following it. Once I heard it, I thought, It doesn't get any better than this. Interestingly, Bill Evans trios have great interplay between each member. It's not just Bill's playing. They mesh seamlessly. Different ways to get the same effect. |
Haven't posted anything for awhile. I found this in the Qobuz new releases. https://youtu.be/IFRPurO0rV4?si=YjaNj0fRU3-uk8q5 The whole album is on Bandcamp... |
Great comments re the “greatest” ever Jazz band. Which one? Some thoughts: Tone is clearly very important. But, as has been pointed out, beauty is a subjective thing and tone quality is only one piece of a player’s personality. Consider a great spoken word story teller or narrator. What is more important? The sound (tone) of his/her voice, or his/her ability to tell the story in a convincing, interesting and captivating way? Jazz playing is story telling. Story telling in melody, rhythm and harmony. As much as I love a great tone, I am tolerant of less than beautiful tone if the story is great and the style individualistic. Personal call. |