Step Up Transformers….Are they Worth the Trouble?


Some of you may aware of my Garrard 301 project, it’s now very close to completion. The plinth finally shipped from Hungry after 3 months of long wait.

Given my last experience with Hana Umami Red, I would like to take things to the next level. Which brings me to mating low output cart with a SUT. Every review I’ve read so far suggests when the SUT-MC match is right, the end result is heavenly. The bass is right, the midrange is clear, and most importantly, the highs are relaxed and extended—not rolled off.

I am not saying you can’t get great sound without a SUT but it appears with a properly matched SUT, sound can be quite magical.

Thought this would be the right time to get input from experienced users here since I am still contemplating my cartridge and outboard phonostage options.

My preference would be to go with a tube phono…I kinda miss tinkering with tubes :-)

My system, Garrard 301 (fully refurbished), Reed 3P tonearm, Accuphase E-650 with built-in AD50 analog board ➡️ Tannoy Canterbury’s.

Cart and phono under consideration through my dealer,

Fuuga - Output : 0.35 mVrms | Impedance : 2.5 Ω (1kHz)

Phonostage - Tron Convergence and Konus Audio Phono Series 1000

The cart - MC combination, I am lusting after is Etsuro Urushi Bordeaux MC with their Etsuro Transformer.
https://www.etsurojapan.com/product/bordeaux

The other transformer is EMIA, cooper or silver version.

Your input is appreciated!

128x128lalitk

@mijostyn  : AR, VAC and MAC use SUTs ( passive not active designs. ). In that list I can add: Parasound, Levinson, Boulder, Gryphon, D'Angostino.

 

" It is much easier to make a transformer ", yes way easy but audio phono stage manufacturers do not build the SUT, they buy from different SUT sources. So way way more easy to design a phono stage with.

 

R.

 

@rauliruegas don't forget Constellation! 

@dogberry I have several BluRay and DVD operas and my system doubles as a theater. Believe it or not, excepting rare theaters like Teatro alla Scala Milano, I actually prefer the sound at home. This is a common occurrence with Rock shows. The acoustics in most of the venues these occur in are awful and the sound at home is better. Seeing the show and the Opera especially are key. Operas and plays were that period's motion pictures, the visuals are very important. You know for certain Carman was just murdered by her lover when you see it. What torments Pagliacci so at the end of the opera?

@lalitk Be careful what you wish for. It would be nice if you could make that comparison before spending your money. There are many of us here that not only won't use a SUT but also shy away from tube phono stages. Myself and @rauliruegas are examples. Perhaps others will chime in. 

“There are many of us here that not only won’t use a SUT but also shy away from tube phono stages.”
@mijostyn

And there are many who do use SUT and tube phono….to each their own, right! Your point well taken on not committing to spend before I vetting the components in the analog chain.

@lalitk That is true. Now I am going to be politically incorrect.  You have to look at the demographics. Many of us have tube preamps with an onboard MM phono stage. Most of us are price sensitive and we are going to take the least expensive path that is acceptable. The popularity of Hana moving coil cartridges is a good example. Adding an SUT is the least expensive way to add moving coil capability. Having said this there are some mighty expensive SUTs out there and I have heard some mighty fine systems using them with great results. I still think these systems would be even better with a SS phono stage, but you are talking much more money and in some cases crazy amounts of money. There are units now like the Channel D Lino C 3.0 which are insanely good, A+ good, that cost less than $5000 and they will accept any MC cartridge. SUTs will not. They have to be designed for the impedance of the cartridge within just a few ohms or the performance will be unacceptable. The SUT I have was designed for very low impedance cartridges. Mine works well with the Lyra Atlas SL but sounds awful with the MC Diamond and Hyperion MR. The safest way to go is to purchase SUTs made by the same manufacturer as the cartridge and if you go with a cartridge by another manufacturer make sure they match within a few ohms. This is not the the step up ratio, 1 to 10, 1-20 and so forth.  

rauliruegas

... AR, VAC and MAC use SUTs ( passive not active designs. ) ...

You're mistaken. There's no SUT in my ARC Ref Phono 2SE. It uses an FET on the MC input. I'm pretty sure this is common on ARC phono preamps.