Well, if this thread has taught me anything it’s that this thing called PRaT is pretty indescribable in words and is just a “feel” thing I just apparently don’t — and probably never will — get or care about. I appreciate all your attempts to educate me, but I still just don’t get it. Music either sounds real to me or it doesn’t. Period. I just can’t relate that to timing, “pace” whatever the hell that is or “rhythm” whatever the hell that is. I think most famously Art Dudley used to focus on timing and beats, and I never got anything he was talking about and never got much from any of his reviews. Kind of like Herb Reichert or Sam Tellig — I like reading their prose but never, ever, get anything out of whether I wanna buy a component because they’re just too opaque. They write just to write for their own sake. It’s entertaining to read but ultimately not very useful IMHO. I could be wrong as usual, but what say you? I think this could be an interesting topic for further discussion.
What exactly is PRaT???
Ok, it’s like this thing and is associated with “toe tapping” and such. I confess, I don’t get it. Apparently companies like Linn and Naim get it, and I don’t and find it a bit frustrating. What am I missing? I’m a drummer and am as sensitive as anyone to timing and beats, so why don’t I perceive this PRaT thing that many of you obviously do and prize as it occurs in stereo systems? When I read many Brit reviews a lot of attention goes to “rhythm” and “timing” and it’s useless to me and I just don’t get it. If someone can give me a concrete example of what the hell I’m not getting I’d sincerely be most appreciative. To be clear, enough people I greatly respect consider it a thing so objectively speaking it’s either something I can’t hear or maybe just don’t care about — or both. Can someone finally define this “thing” for me cause I seriously wanna learn something I clearly don’t know or understand.
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@danager Great song. How does that tell me absolutely anything about PRaT??? My system sounds great playing that song so what EXACTLY makes a better PRaT system sound better doing that? I mean, as a drummer you’re either on the beat or you’re not. And I’ve not heard a system that’s “behind” the beat. You gotta come at me with more than a single song. I’m willing or learn, but this ain’t it. |
It's just a euphemism for something that simply sounds more authentic. Being more authentic gets you more involved with the sound and gets you to toe tapping. I think the mystery behind it that we're looking at it with a modern perspective that can't understand why something so mid range centric as the Naim/Linn sound back in good old days can be called authentic when modern systems can beat them at that game. Remember that the midrange accounts for about 80% and once they got that down convincingly, PRaT became a thing. Practically all modern systems have the ability to sound pretty authentic but we still find PRaT to be elusive and that all boils down to the quality of the recording: how well it was done. Great sound in, great sound out. All the best, |
@soix Well, your own system includes select cables, amp upgrades, and a lot of other refinements, so clearly you’ve spent some time developing a system that plays music the way you want to hear it. I assume you didn’t just close your eyes and grab whatever came to hand. If "PRAT" doesn’t mean anything to you, it doesn’t. For a lot of audiophiles, especially people getting started in the hobby, it can be a helpful measure of where your money is best spent. WhatHiFi is, IMO, one of the more reliable review sites and they devote a fair portion of every review talking about the equipment’s ability convey joy and rhythm, and generally a good musical experience. Nothing wrong with that. |
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