Lalitk, upon re-reading your “drive” statement, I now see that it should have been obvious to me what you meant. My bad. As far as tube rolling goes, and I’ve written this many times here, keep in mind that tubes age and can change character, even get noisier, as they age. Especially in the first 50-100 hours. So what you fall in love with on day 1 may not be lasting, and two, having spent big bucks on a rare or selected tube, we all have an expectation bias that inevitably colors one’s judgement. No one is immune to that. What I do agree with is selecting the best possible tube for a given job. This means for example don’t use a 12AX7 as a cathode follower if you expect it to drive even a middling load, and don’t use a 12AU7 for gain. There are several inherently better sounding tube types with near identical electrical parameters, no matter what exotic brand of 12AU7/ECC82 one cares to name. Unfortunately there are many preamps and amplifiers that commit one or both of those sins.
Recommendations for MM Phono ~ Tube or Solid State
As title suggests, I am currently using a MC Cart - Etsuro Bordeaux and planning on adding an SUT. The TT is Garrard 301 with Reed 3P tonearm.
SUT under consideration,
1) Etsuro ET-U50
2) Swissonor PPP-PP Hashimoto HM7
3) EMIA Copper or Silver version
On top of my list is Leben RS-30EQ and Accuphase C-47.
Also planning on adding 2nd Reed tonearm with Miyajima Labs Zero or Infinity Cart. From a purist perspective, what would be your recommendation to get the best out of a mono cart.
Thank you!
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Your point duly noted! In essence, tube rolling is as much about understanding circuit design as it is about personal taste. The idea of swapping tubes to enhance a particular sound can be fun and rewarding, but it’s important to recognize that tube aging, expectation bias, and circuit compatibility are all major factors that can impact the perceived results. I agree with you on being selective about the type of tube to choose for a specific role is far more critical than simply choosing the most exotic or expensive tube, and in many cases, this can lead to better results than relying on the often subjective differences between brands of the same type. For now, I am just letting Model 4 play out with stock tubes and keeping my eyes peeled for NOS tube options. |
Dear @theflattire : Uesugi was made it by TEAC and looking ist frequency rsponse deviaiton level of +1db -0.5db I seriously doubt that Tamura was invloved down there ( Tamura was a lot better in several ways. )
"Tokyo Electro Acoustic Company (TEAC)
As you said probably only a " rumor ". I own true Tamura SUT and were in the vintage times a expensive ones and not like the Uesugi at 88K Yens. Look, I´m not saying is a bad SUT.
R. |
- 126 posts total