Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
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Hey again @stuartk , I’m sure I’m hijacking this great Jazz thread so I’ll shut up after this.

But the overwhelming impression I’ve gathered from perusing numerous threads over a good many years, is that achieving good sound via streaming is more complex and requires more technical expertise
 

I think effort, cost and an open mind without huge technical expertise. But the reward (I feel) is sound that is better than CD, and rivals most any vinyl rig.  I guess  I discount all this  when talking about the ‘value” of streaming!  Take care!

Hi all, and Happy New Year to be spent with great music.

I've been away for some time, but reading Tom Moon's book "1,000 Recordings To Hear Before You Die", a comment raised a question I thought might be of interest here.  Tom is a music critic, contributor to multiple publications, and experienced as a professional musician.  His book covers jazz, rock, classical, opera, blues, world music and whatever else you might think of.  I found his comments on many recommended recordings I am familiar with to  be very insightful.

But one really jumped out at me.  Included in his list is "Take Ten" with Paul Desmond and Jim Hall..  In that review he references "Take Five" as one of the most important jazz records of all time.  But what surprised me was his statement that album "suffers from a fatal flaw.  Brubeck's piano playing."  He goes on to say, "The esteemed leader is revealed as something of a musical clod .  .  ."

Now as someone who has enjoyed various Brubeck albums for decades I was amazed by that opinion.  I do remember back in the '60s that Brubeck was put down by some jazz fans as being "too commercial", I suppose because of his sales and concert success.  But I do't remember him ever being disparaged to this degree.

I say this because I find Moon's other reviews to be so well considered and revealing.  So surprising to say the least.