With regard to your statement that there are “too many places for signal compromise in the streaming chain”, I have found the opposite to be true if using a current dedicated streamer/server. Current streamers have sophisticated clocks to assure timing accuracy prior to data transfer to the DAC which again times the data before conversion reducing timing distortion. Many use a cache to assure the data is complete and the computer in the server performs data checks before transfer to the DAC. Modern streamers are well shielded and have sophisticated power supplies. There are no mechanical vibrations and noise generators as in cd transports. There is no concern with laser usable life and the fact that replacements for many models are out of production. I believe you will get more “soul” using a good modern streamer. Look at Aurender (my fav), Lumin, and Grimm,
I agree with protest position with regard to artist compensation by streaming services. However consider the following. The supply and demand model has changed in favor of streaming over physical media. The record label or publisher is compensated by the streaming service, not the artist, directly or through collection societies. Therefore, the label is as much to blame. The compensation algorithm favors popular artists over new artists because it is based on the number of plays. However, new artists benefit from being noticed on streaming services. I weekly look for content. Therefore, the compensation model is flawed and needs revision.
