Linn LP12 turntable


I was in my favorite audio store yesterday talking turntables… Rega P10, MoFi MasterDeck etc, when he stated he had a Linn LP12 he was selling for a customer at $2,400 & the customer had $14K (with upgrades) into it. Intriguing, but knew nothing about Linn. After my research, people seem to love it or hate it. But it is installed in many fine audiogon systems. 
I would like your thoughts and recommendations. 
I have asked the following questions of the dealer: 

1. Date of production 

2. Upgrades that have been added 

3. Power supply / tone arm

4. Condition 

5. Recently serviced

I have not yet seen it, but it is there now. What other questions should I ask?

My current analog system: 

Pro-ject 1xpression carbon classic with Hana ML

Rega Aria

PS Audio BHK pre

Simaudio Moon 330A amp

KEF R11’s

Advise would be greatly appreciated. 

128x128signaforce

The discussions of the Linn remind me of discussions surrounding Leica M series cameras. Particularly "The Leica Look". I have a full Nikon and Fuji stable and took the plunge a number of years ago and bought a Leica M10. Like high end audio, assessing the character of photos is a highly complex endeavor and because of the high cost of the body and lenses gets those that can’t afford them up in arms.

After a year or so of photography with my M10 I was slowly able to zero in on the differences... subtle but really important differences. The lenses are simply superb and designed to be used wide open... very different. But the foundation of the Leica Look is in the body and is very much similar to many really good audio systems. Leica, Instead of emphasizing the ends of the visual light... the light and dark... they perform exceptionally well in the mid-tones to dark tones... bring incredible nuance to the whole spectrum... bring out the emotion (if you know how to use the camera). It is the same kind emotional connection I get with a really good tube audio (/Linn) system ... which is often denied by folks that cannot afford them.

I was surprised to find once I learned to explain the difference how many Leica owners jumped on and agreed that I had successfully put my finger on the magic.

Audiophilia is a complex system. Every listener is different with different musical tastes and different gear in different environments. Taking the LP12 alone, there are a very many different permutations of components.

Like in politics, people demand simple responses to complex issues. They join cults and vote for bull in the china shop demagogues to get them. Like with getting Brexit done, you can see the appeal of just buying a Technics SL-1200 and forgetting about the turntable forever.

Yet, they can't just live and let live. It rankles them that a privileged minority might have found a better way. To justify their jealousy and anger, they resort to conspiracy theories about Linn "marketing'" built on myths and fables about Ivor forty or more years ago. Then, in the ultimate irony, they accuse the LP12 owners of being a cult.

Of course, first paragraph excluded, I'm not being entirely serious here. In reality, the LP12 is only a bloody turntable.

@newton_john

In retrospect of the last 48 hours……and after legal advice and visiting my shrink…

’l couldn’t possibly comment!’

GHD, Linn make tube gear too? Who knew? I’ve owned a Leica M3 all my life, it seems. I doubt Linn has a corner on every phase of the reproduction chain. Good, probably. 

OP...Yes indeed ..You stated that you like "Perfect"...Go with the Rega or another new TT, the Linn LP12 is truly NOT a good fit for you. The LP12 IS however one of the great music makers in hifi history, just not your jam....