@kckrs - it must be draining having to read through so many polar opposite comments, so I’ll keep this an easy read. It is known we each sense the world differently - as a trained architect, I am able to tell when a line is off level by an eighth of an inch over the length of three and a half feet, while I have friends who couldn’t tell even if the level is off by an entire inch and a quarter. In much the same way, we each hear very differently, but by degrees much finer than the sense of sight. I know a concert pianist who hears and understands timing, pitch and upper frequencies so acutely and accurately, it boggles my mind. Likewise I know a good many audiophiles more experienced with listening and who hear considerably better than I can.
The differences in opinion we read in audiogon are as coloured by natural or learned ability over listening as they are by equipment performance. Mdalton and some others cannot hear much of the difference between cheap and expensive streamers to make the expensive ones worth their while. Steakster, fleschler and a few others more can, and understand for themselves how important those differences and/or improvements are for each themselves. You have to find a way to listen to different streamers in a system where the only thing that gets switched is the streamer, to know if the quality differences between streamers is something you can indeed hear. If you do hear those differences, then welcome to this difficult and potentially expensive world of our wonderful and amazing hobby. If you don’t, thank your lucky stars and settle for something along the lines of what mdalton is recommending - you wouldn’t be able to hear much difference in any case - not a bad thing really, since you won’t have to deal with the finer, nuanced aspects of music realism.
In friendship - kevin
