I can understand noise etc that goes with placing something in the signal chain. If we knock EQ's, then are we saying that we just trust the mastering engineers speakers, eq's etc? Even if the mastering engineers speakers/room are far from the same sound characteristics of ours? We trust the engineer has hearing similar to ours? I think eq/tone controls are quite useful
Should Equalizers make a comeback?
Some like warm, some like bright, some like neutral. Should hardware equalizers make a comeback? Basically aren't Marantz and Rotel amps just rolled off a tiny bit in upper end? In the recording world, you can buy a one box Focusrite mic preamp emulator that seeks to recreate the classics from the past (I'm sure it lacks in pure sound quality from the originals). Would something like this work for audiophiles?
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- 42 posts total
- 42 posts total