Should Equalizers make a comeback?


Some like warm, some like bright, some like neutral. Should hardware equalizers make a comeback? Basically aren't Marantz and Rotel amps just rolled off a tiny bit in upper end? In the recording world, you can buy a one box Focusrite mic preamp emulator that seeks to recreate the classics from the past (I'm sure it lacks in pure sound quality from the originals). Would something like this work for audiophiles?
aberyclark
I use a Cello Audio Palette which is a preamp /equalizer.I could not be without it.Some CD recording are truly poor with the proper equalization they can improve.I will now recall my first experience with the Cello.I was auditioning a rather pricey pair of speakers ,$50,000 in 1983,was a lot of money.I first listened to the speakers with store demo CDs sounded great.But I insisted on listening to my own CDs ,they sounded awful.At which point a Cello Audio Palette was brought out ,and my CDs were now played using the Cello adjusting the sound.Results were fantastic,at which point I got hooked to the Audio Palette.I have 2 of them,one for each system.They are expensive and hard to find but a much better investment than cables.
I think for many a high quality eq would make a heck of a lot more sense than the hit or miss attempts that are made with cables, tubes, etc.. Others might not need them. I suspect that more people would probably benefit from room correction, and then perhaps with that base line, eq's could be used more appropriately for individual recordings and tastes.
My Mac preamp has bass and treble. I leave it flat. My JL Audio has automatic room compensation. Someone above said he misses the LOUDNESS COMPENSATION on his old YAMAHA. I had a YAMAHA with one in the day and did not like it. My Mac preamp has one and I never use it either. But it is for low volumne and I don't think it is ever low.
Mac's had equalizers on many of their preamps, and still do, nammely the C42 and C46. I have the 5-band on my C37, and although I don't use it, it's nice to know it's there if I need to use it. Same with the loudness control, never use it either.
Every room is acoustically different. Speakers have different radiation patterns etc. Who actually thinks that he is hearing the same thing in his room that the recording engineer heard in his? Many "straight wire with gain" folks roll tubes, change wires, even components, in order to get their desired results of "no equalization". Room equalization is a necessity to accomplish the "purest" goal, much less personal taste.