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Trelja in New York

Well, here it is. My own personal show report. I guess I should be ashamed of myself. Taking up all of this space and all. First, I regret that I did not meet anyone from Audiogon at the show. The show had a MUCH larger attendance than I ever could have anticipated. I mean it was gigantic. And many people there had no idea about high end audio. Second, my lucky day! While I was standing in line to purchase a ticket, a guy announced that the show sucked, and was offering to give his away. Guess who the lucky recipient was? Well, I was able to save the price of admission. I did give my $4 coupon to the guy behind me. Now, for the show... I was disappointed in the sound of most of the rooms. Other than exhibitors displaying on the 2nd and 4th floors, the rooms were just too small. It was a joke. Virtually everyone displaying on the 9th, 10th, and 42nd floors were in bad rooms. Especially, those on the 9th and 10th floors. These manufacturers simply overpowered the rooms they were in. Sound was horrible. One exception to the "too small room" set was Talon speakers. A lousy sounding speaker in my opinion. Thin, weak, and underpowered. Anemic. They definitely get the "all show, no go" award. This is a speaker with a 5 digit price tag? I wonder how someone who owns this speaker feels. They were eclipsed in the "biggest disappointment" category however. By none other than the $85K Dynaudio Evidence. Yes, they play loud, and without strain. That is the best thing I can say about them. But, they need to go visit the Wizard. They have no heart, or soul. These two speakers are proof positive of two things. One, you don't have to spend a lot of money to get good sound. And two, brains and money do not necessarily go hand in hand. Next up for duds was the Creek demo. Nice turntable, but their amp/speakers were terrible. I have heard Creek amps sound a heck of a lot better. Poor job by a good company goes to Rogue. I forget the other companies in their room already, and they should take my lead. Their electronics are a bit pushy, and need to be mated with speakers and cables which are more mellow. It was not the case here, and the sound was bad. Linn was also getting poor sound, despite the fact that they were in a good room. Too much bass and brightness. Are they going for the boom and sizzle crowd? Silverline and Triangle speakers can sound much better than they did at this show. And what is going on with Alon these days? Here was a great speaker company. Their new products seem to be aimed squarely at Donald Trump and Fabio. Expensive would be a supreme understatement. What happened to this company, with its value oriented philosophy? They would dominate just about any room. Nice treble coming from the Raven tweeter. Guess that answers our questions. Seems to be a great, high sensitivity tweeter. Should we think of this tweeter for the SET crowd? Another disappointment, Red Rose Music. They are coming hard, but give them a good listen, and see that if you stop listening to what they tell you you are hearing, the sound is definitely not worth the asking price. Don't believe the hype. Nice treble though, ala the ribbon tweeter(just like Alon). One more. Whoever that horn speaker company is who was in the Atma Sphere room, please GET OUT of the speaker business. Now. And Atma Sphere, you did yourselves a tremendous disservice by teaming up with that company. Fundamentally flawed is all I can say about those horns. Speaking of horns, I was not able to listen to the AvantGardes(ran a demo every 30 minutes), one of the few I could not hear. As I said, most of the sound was bad. I wonder how I would feel if I was showing my products with this kind of sound. Mortified, I think. OK, enough griping, let's get to the winners. First up is Trelja's "Best of Show" award. It goes to the Vandersteen 5s, driven by the new Cary V12 amps. By a landslide. A LOT of companies should take a lesson from what these guys are doing. Impressive. Most impressive. Next up is "Most Stunning" component. This one is also a landslide. The forthcoming Western Electric 300B amps. Yes, you read that right. Art deco. They are not yet operational, but coming in the summer. Just let me put it this way, if they sound 25% as good as they look, they will be the best amps you can buy. And, actually a bargain at $16/pair, complete with WE300B tubes. JMLabs speakers sounded great. These guys are pros. Coincident took the "Best of Show" on one of the tough floors. I know I may seem to lack credibility on this one, but it is true. They did not destroy their sound, and that was enough to earn them the Blue Ribbon. The word smart comes to mind when thinking of the Musical Fidelity room. Unlike Rogue, they mated their products very well. Enough so that the whole system sounded warm and full, despite the new MF line being more neutral and analytical. These guys understand what good sound is. They used Analysis Plus cabling, and it was good(Megasam knows a good combination when he hears it). Merlin speakers struck me as something to try to hear more of, despite not sounding well in their rooms. Cary amps sounded good in most of the places they were playing. Mirage sounded good to me, despite having one of the empiest rooms in the whole show. The Joule Electra room(I forget who they teamed with) fell into the same group as Merlin for me. Not spectacular at the show, but I would like to hear them in a better setting. Dick Sequerra was a prince to me, despite being a God in this industry. Israel Blume was also stellar, though he is not yet a Dick Sequerra. All in all, not a bad time. Just that there were far too many people to be able to give some companies a really good listen. I think less attendance would be a boon to people like us. We would be able to focus more into every room. Hope everyone else who went enjoyed themselves.
trelja
adsal7e18
250 posts
 
did anybody listened transparent opus or mit oracle v1??
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drubin
3,267 posts
 
My show report.

Friday was pretty disappointing. I was annoyed at the layout of the hotel, the crowds, signage and labeling, and disappointed by the sound in most rooms. Plus, it seemed that more than half the attendees were either in the industry or with the press in some capacity, so they were busy "networking." Waiting at the elevators, I asked Jonathan Valin of TAS if he’d heard anything good. He said, "To tell the truth, no. This is the worst show I’ve ever been to. It’s appalling, really." I agreed.

Fortunately, things got better for me on Saturday and Sunday, and Sunday was wonderfully uncrowded with a lot of good sound. I find that I need to visit a room several times to get a fix on it, and the first day I usually try to blast through everything quickly. By the end, I can hang out in the rooms that I really like.

Highlights: the Gershman Opera Sauvage speakers driven by the marvelous, handsome, and affordable Kora tube electronics from Toulouse, France. This was wonderful sound and the Gershman folks and the people from Kora were all delightful.

Biggest "find" for me was the TacT Audio rooms. They were showing the digital room correction and digital amplification driving the Dali Grand speakers in one room and some B&Ws in the other. I think the Dali Grands in particular sounded wonderful and the effects of room correction were obvious and significant. I think I’m going to take the plunge and try it out, knowing full well the set of tradeoffs I may have to make (I’ll have to run analog and SACD though a D-to-A--egad!). But doing the room correction will teach me so much about what’s going with my system that I think it will be worth it at least as an experiment. And those Dali Grands! Not terribly detailed, but tonally very much to my liking. At $5K or less they are very promising.

I visited they Vandersteen room all three days. Vandersteens always sound overly sterile and uninvolving to me, but on the third day, all that changed. It must have been me, because they system was unchanged. I heard an enormous and focused soundstage, wonderful authority, and a sweetness and warmth that made me want to listen. Great sound.

I spent a fair a mount of time in the DiAural room, which featured speakers from Roman Audio using drivers from Cabasse. They shared certain sonic characteristics with Cabasse speakers (fat bass, soft highs), but I think there’s something important going on with the DiAural crossover network. These speakers were so remarkably smooth and fatigue-free through the midrange that I could have listened to them forever. The only other dynamic speaker I have heard with a similar quality is the Reference 3A, which also has a very minimal crossover, but the DiAural is doing something else. I think it has a promising future.

Other good sound: the Triangle speakers, including the amazing $495/pair Titus. The Audio Physic Spark driven the Rogue electronics. I actually preferred this to the larger Audio Physic speakers with Hovland electronics in the adjacent room.

I spent a lot of time in the Coincident room and while I liked the sound (and really liked Israel Blume), I wish I had liked it more.

Others seemed to not like the Dynaudio, but on Sunday they sounded glorious to me. This is the new scaled-down Evidence, called the Temptation and priced at $30K. The tweeters in these things sounded amazing to me. Fist time I have ever liked Dynaudio at a show.

A surprising lack of analog playback in at the show. And a shocking lack of SACD—not sure I heard any. Both of these in sharp contrast to CES.

Disappointments: Talon. I went twice and I just don’t get it. Very poor demonstration—I think those guys from Talon don’t know what they’re doing (the guys at the show, I mean). Sounded good in some respects, but not much like music (to my ears). Alas, Red Rose did not sound as good here as at their store or as they did in either of two rooms at CES. Too bad.

Biggest waste of time (besides waiting for elevators): having to endure the midlife crisis ramblings of Elliott Fishkin of Innovative Audio while waiting for the Wilson Audio demo. But I did it twice because the Watt/Puppy 6.0 sounded so good and the demo was done by the terrific Peter McGrath. I don’t understand why that speaker is seemingly ignored in Audiogon discussions because it seems to do just about everything at a world-class level.

The Keb Mo’ concert Saturday night exceeded my expectations in every way. A great show. Thank you, Keb Mo and Sony. Joe Lovano was also a treat. If anybody’s listening, how about Gary Bartz next year?

Also, I love the flat-panel plasma displays. Runco’s 42 incher with Arcam electronics in a Sound by Singer room absolutely blew me away. I want it! (By the way, kudos to Sound by Singer for the great signage in their rooms and for the variety of systems they showed, including some that were truly real world.)

So in the end I had a great time. Next year the show is the same weekend (May 10-12), same hotel (yuck), but I’ll be there!

--Dan Rubin

theduke
372 posts
 
Due to the large crowds and my impatience in waiting more than 10 minutes, I didn't see or hear everything I should have. However, I must say I was mightly impressed by Sony's SACD demo. Kudos to them for renting a large room and giving it a thorough acoustical treatment. The room had a dead, almost an anechoic chamber like quality. Their decision to keep attendance low in each demonstration made it a comfortable, memorable experience.
As for the three selections played: one pop cut (James Taylor) and two classical selections, my reaction was that this was some of the best sound I have ever heard. Soundstaging, depth, and scale were extraordinary. As much a high-end snob as I am, I have to admit that Sony's flagship speakers ($16K a pair) sounded superb. No doubt some of this was due to the room treatment and Pass X600 amps, but if that's what it takes to make good audio, then
congratulations to Sony, they did it right!
Now, the organization which demonstrated one of Harry Pearson's "dream" systems should take heed and follow Sony's example. HP's collection of huge, expensive, and snobish components were "boom and sizzle" compared to Sony's holistic approach!
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snooker14
164 posts
 
Trelja: if you get the Sequerra conditioner, let us know what you think. It is cheaper and smaller than PS audio, so I am seriously considering it too.
macm
116 posts
 
Trelja--First off, my comments to you were not intended to start any sort of flame war. I realize you were just stating your opinion, and I think we all recognize the time you took to record your thoughts for the membership here. I certainly don't have a problem with differing opinions. To each his own, as they say. My point was simply this: Having heard the gear under such poor listening conditions, you crossed the line from stating your opinion in the negative to essentially campaigning against certain products. It's like the difference between "I didn't like what I heard" and "this is garbage under any circumstances, don't waste your time." Knowing that you reached your conclusions in an overcrowded, undersized room in some hotel with a lousy elevator, that strikes me as just a little unfair. It's unfair to the companies you disparaged, and it's unfair to the membership that might be considering the products you put down. I think we've all been influenced one way or the other by online reviews/opinions we've read. I don't think it's right for anyone to dismiss a product as essentially junk unless they've given the product a fair shake under proper listening conditions. The issue isn't with your conclusions, it's with the way you arrived at them, and the force with which you then stated them. For the record, I've heard some of the gear you criticized (under much better listening conditions), and I can say that it competes with the best in its class. I won't get into makes and models as that is not my point. (And no, I don't work in the industry.) In summary--yes, we're all entitled to our opinions, but you don't do anyone any favors by telling them to look elsewhere when you really can't say you've properly auditioned the product yourself. It's a matter of fairness.
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