Focus on 24/192 Misguided?.....


As I've upgraded by digital front end over the last few years, like most people I've been focused on 24/192 and related 'hi rez' digital playback and music to get the most from my system. However, I read this pretty thought provoking article on why this may be a very bad idea:
http://people.xiph.org/~xiphmont/demo/neil-young.html

Maybe it's best to just focus on as good a redbook solution as you can, although there seem to be some merits to SACD, if for nothing else the attention to recording quality.
128x128outlier
I read that artical explaining why theroretically we can not hear anything above redbook. I think the key is to keep improving coding and decoding of this standard. It would seam that the team that developed the CD standard where no idiots knew exactly what the standard needed to be for the human ear. I just got a Metrum Octave last night and I must say it takes another (huge) step forward in extracting amazing sound from redbook recordings. Also, recordings have gotten vastly better in the the past 30 years. I now have sound quality that I believe truly rivals analog, and it only took 30 years to get it. he he

Earl
I agree with the comments above that embrace the view that the biggest problem is engineering and mastering. I've posted a number of "heads-up" comments in other threads when I came across a particulary good sounding red book CD. Same goes for vinyl. This is an industry problem and my concern is that the music industry will go after market share and demographics. Let's face it folks, the kids love those ear bud thingys and could care less about real music fidelity. Us "gray hairs" are a shrinking market niche. What's an audiophile to do??
yes, I seem to concur that 24/192 makes no sense. I never was a believer of the hi-rez scam that pervades the industry.
There is also a nice article written by Dan Lavry on Lavry Engineering's website on why sampling upto a max of 24/96 makes sense & anything beyond that is bogus. Dan Lavry wrote this article back in 2004! This article is called "Sampling Theory" when you go to this link:
http://www.lavryengineering.com/index_html.html
Insert a quantity of "$" in the space between "1" and "0" and adjust until it sounds good to you.
Also agree with the above, there is only so much on a recording, mastering is where it's at.

My Dac is a custom built NOS AD1865K 16/44 with short signal paths, silver internal wiring and V-CAP OIMP output caps fed by a modded CEC transport, if there's anything missing it's the recording.

I have some (not all) quality redbooks that equal and beat some of my friend's LP counterparts from his Walker T.T. and we compare all the time.

This is a good thread so far.