Preamps built Into DACs

"It just so happens, my current system (with digital volume control), give me a more body, tone and dynamics than anyting I have ever owned, tubes included. We have the same destination, but just get there with different technology. "

Myself, I would like to, and at this point feel pretty confident that I could, drop my tube pre-amp for a good SS replacement and still get the body, tone dynamics etc. I want. The reason would be to not have to deal with tube maintenance and replacement periodically, which is not cheap to do right. I have dabbled with tube and SS DAC (and pre-amp) options to date for example and that experience builds my confidence that either technology can work best. The devil is always in the details, which device specifically, how well does it mesh with the rest of the gear, etc.

"So far in my listening experiences premium quality tube preamps are an asset and clearly improve the sound quality."

I agree. For MOST systems, the tube pre is an improvement. However for well-designed DACs with volume controls, even these will be crushed. There are only a couple out there that accomplish this BTW, so it is likely that you have not heard them.

Steve N.
Empirical Audio

"Even if you choose to go "no preamp"... there is still a preamp involved!! It's just a lower quality preamp, tagged onto the digital circuitry, sharing the same power supply as the digital section. No thanks!"

This is where you are dead wrong. You evidently missed some of my posts. There is actually "no preamp".

Steve N.

"It makes a lot of sense to bundle preamp and dac these days much like pre-amp and phono pre-amp have been bundled into some pre-amps for years. The fact is digital is the norm now, not phono. So it is a natural thing to do. May not be the best/right solution for all. THat is why there are still separates for purists who care, like me."

The distinction that needs to me made is between the DACs that just add a simple volume control in order to add the feature, and others that actually improve upon existing volume control technologies by using the infrastructure only available in a DAC.

Like so many preamps, active and passive, the devil is in the details.

Steve N.
Empirical Audio

Here is one way of looking at it. All the available musical information is encoded in the digital signal. This includes all the timbre, body, spacial information, decay and what have you.

The DAC converts this digital information to an analog signal. Anything added to the analog signal after it leaves the DAC is by definition information that was not originally there.

In many instances what is added may make the sound more pleasing. It may compensate for something your DAC did not retrieve, or your speakers or amps do not reproduce naturally.

The better your system is capable of reproducing the sound encoded in the original digital signal, the less it will benefit from adding something in the chain that adds coloration. In a (hypothetical) "perfect" system a volume control that just controls volume will sound best.

A perfect source (say a live acoustic piano recital) will sound better live than running the same hypothetical perfect source signal into an (imperfect) preamp into hypothetical perfect (i.e. capable of perfect reproduction of the source signal) amps and speakers. QED