A very interesting white paper, and thank you for posting the link to it, Nonoise. In my own, completely subjective evaluations, I tend to agree with most of it but also have reservations.
I recently auditioned a pair of Harbeth 40.1s with an Audio Research DSD source. While the combo sounded fine, I was not as impressed as I expected to be. The speakers were clearly putting out everything they were being given, but it just didn't sound natural to my ears. How much was poor set-up, room acoustics, whatever source was tapped for the DSD files or combination of factors is impossible to tell.
My home system has 16 and 24 bit from 32 to 192 kHz along with 24 and 32 bit from 32 to 96 kHz DAC capability via USB input and SACD up to 192 kHz via an internal DSD conversion (or so the manual says, anyway). In trying various high resolution downloads (an Agon HD Tracks sampler and the Linn 24 bits of Christmas) at various resolutions, I feel several of those sounded better than the auditioned combo. The Linn Bach Toccatta and Fugue in A minor in 24/192 in particular was substantially better. I use my MacBook Pro with the included MIDI interface for these kinds of things and Internet radio. When playing standard 16/44.1 WAV files, they don't sound as good as the discs on my dedicated player.
My universal disc player really does the trick with David Sanborn's Timeagain SACD and also works nicely with a Mobile Fidelity SACD of Billy Joel's Piano Man. Both of those sound very unlimited; that is they seem to have a much higher ceiling and deeper stage. Several of my Red Book CDs are also outstanding but not quite to the same "unlimited" level.
That said, no matter how much I've fooled around with all-digital sources, nothing I've tried so far holds a candle to my vinyl rig. I can do A-B tests all day long and the turntable roundly thrashes CDs, DVDs, SACDs and hi-res files. Even more unlimited, an almost endless stage and utterly natural sound.
So for what my opinion is worth, I didn't hear any improvement with DSD. I do hear some sporadic improvements going from Red Book to higher resolution PCM formats. Nothing tops pure analog yet, but I'm going to enjoy testing that conclusion over the coming years.
I recently auditioned a pair of Harbeth 40.1s with an Audio Research DSD source. While the combo sounded fine, I was not as impressed as I expected to be. The speakers were clearly putting out everything they were being given, but it just didn't sound natural to my ears. How much was poor set-up, room acoustics, whatever source was tapped for the DSD files or combination of factors is impossible to tell.
My home system has 16 and 24 bit from 32 to 192 kHz along with 24 and 32 bit from 32 to 96 kHz DAC capability via USB input and SACD up to 192 kHz via an internal DSD conversion (or so the manual says, anyway). In trying various high resolution downloads (an Agon HD Tracks sampler and the Linn 24 bits of Christmas) at various resolutions, I feel several of those sounded better than the auditioned combo. The Linn Bach Toccatta and Fugue in A minor in 24/192 in particular was substantially better. I use my MacBook Pro with the included MIDI interface for these kinds of things and Internet radio. When playing standard 16/44.1 WAV files, they don't sound as good as the discs on my dedicated player.
My universal disc player really does the trick with David Sanborn's Timeagain SACD and also works nicely with a Mobile Fidelity SACD of Billy Joel's Piano Man. Both of those sound very unlimited; that is they seem to have a much higher ceiling and deeper stage. Several of my Red Book CDs are also outstanding but not quite to the same "unlimited" level.
That said, no matter how much I've fooled around with all-digital sources, nothing I've tried so far holds a candle to my vinyl rig. I can do A-B tests all day long and the turntable roundly thrashes CDs, DVDs, SACDs and hi-res files. Even more unlimited, an almost endless stage and utterly natural sound.
So for what my opinion is worth, I didn't hear any improvement with DSD. I do hear some sporadic improvements going from Red Book to higher resolution PCM formats. Nothing tops pure analog yet, but I'm going to enjoy testing that conclusion over the coming years.