Is Louder always Better?


i'm inclined to say yes.

first, context: you are not generating impedance mismatches when A/Bing gear, you have amps w/ more than enough power for your speakers / room (ie no clipping) and you haven't disconnected your tweeters (ala monster subs in cars) or sitting horribly off-axis.

the thing about home audio (digital particularly) is that as external noise is reduced, you are left w/ a purer signal--simple S/N ratio folks. generally, live instruments don't hurt your ears, but when a home rig does, i'd contend that its the noise riding on the signal, as its mostly concentrated on the upper mids thru treble, and this is where fatigue is generated (again, monster sub in car example for bass as non-fatiguing). the external & objectionable noise found in this frequency range determines final listening SPLs (the listener naturally arrives at a volume setting where the artifact noise doesn't cause overt fatigue). as noise is reduced, the final SPL level can be increased while generating no incremental listening fatigue.

but, at all volumes, it also implies greater microdetail & clarity (again higher S/N ratio), while also being more enjoyable---i consider those findings as evidence that 'louder is better' is a fine litmus test. if you make changes that result in your listening louder without your ears immediately objecting, you are highly likely listening to an improvement in home playback (given original context).

what is this getting at? external noise (aka Distortion) not only obscures micro-detail in the upper mids & treble, but it also causes listening fatigue and ultimately limits the volume you can listen comfortably at (ergo the thread title). i've found that external noise removal is a function of 3 efforts, all of which are equally important:
1) power conditioning
2) vibrations
3) room acoustics

(one visionary poster referred to them as the holy trinity of audio, i agree).

i figure i've put 10% of my audio budget into these 3, and it ultimately is the difference between a decent but disappointing rig, and a very satisfying one.

YMMV, but probably won't.
128x128rhyno
Hi Al,

I actually have the Romeo and Juliet recording on the direct to disc LP and I have the Telarc Firebird, also on LP. The dynamic range of those recordings is quite staggering. The classical recording with the wideest dynamic range that I have is probably a CD made by Clarity of the Rites of Spring; it has a big warning on the cover about the potential to damage speakers.

The vast majority of my recordings don't come close to those in terms of sound quality. These days, most of my classical music listening is from CDs and very few are "audiophile" recordings. Still, I am quite pleased with most current releases, in terms of sound quality, even though dynamic range is not realistic.
I would say, yes. Louder is always better.
Most audiophiles are deaf like a stone, they can hear a difference but they don't know what to do with it. Turning up the volume gives the impression to do it right, because they think "Live = Loud" and then it is done. But when the System is one of those which needs min. 50W to wake up (most have that as an addition, too), you also need "the Louder is always Better" turn on the volume to hear subtle details. And when it is so loud that your wife will leave the house, then it is definitely better.
Charles, we have the same speakers, and while I would love to hear your amps alas I can't spring for them right now. Truth is I would love to be satisfied at lower volumes and after coming across a BPT 3.5 Sig Plus some of that has been realized. 
As to amps, I run McIntosh MC60s so plenty of headroom there and I do take advantage of it. Do you sense any lack of headroom with the BS amps? When you do listen loudly are you approaching clipping? Can you hear it and does it limit you any way?