Hi Guys,
Not only do I not object to being spelled without the umlaut "dots", I decided to skip them when I sketched the logo many years ago for the impossibility to turn the O into a stylized turntable without confusing its simplicity or "purity".
There is at least another tonearm designer, Hans Henrik Moerch, who has to live with the fact that most keyboards don´t feature an o with a line through it(the Danish o umlaut).
As long as you don´t get my first name wrong.... ;-)
Cheers,
Frank
Ah, one more thing: The differences between the Olympos and the ZYX Universe(copper coil version) are quite small indeed, but when it comes to tracking, the Olympos is clearly superior with a test signal(not that the Universe mistracks on "normal" records). Soundwise I will wait and hear how the Universe fares once mine has at least 50hrs on it.
And the latest Triplanar is a very fine arm indeed, yielding a markedly improved sound*(for the lack of a better word, or just substitute "lack thereof") over its predecessors.
Not only do I not object to being spelled without the umlaut "dots", I decided to skip them when I sketched the logo many years ago for the impossibility to turn the O into a stylized turntable without confusing its simplicity or "purity".
There is at least another tonearm designer, Hans Henrik Moerch, who has to live with the fact that most keyboards don´t feature an o with a line through it(the Danish o umlaut).
As long as you don´t get my first name wrong.... ;-)
Cheers,
Frank
Ah, one more thing: The differences between the Olympos and the ZYX Universe(copper coil version) are quite small indeed, but when it comes to tracking, the Olympos is clearly superior with a test signal(not that the Universe mistracks on "normal" records). Soundwise I will wait and hear how the Universe fares once mine has at least 50hrs on it.
And the latest Triplanar is a very fine arm indeed, yielding a markedly improved sound*(for the lack of a better word, or just substitute "lack thereof") over its predecessors.