Teres vs VPI, SME, Origin Live, etc.


I have Manley Steelhead Phono Pre VII and Berning ZH-270 Amp, and I ordered a pair of Merlin VSM-MX. The next step is to upgrade my Table and Arm. I am thinking about the Teres 265(320) with Shroder Model2 Arm or Origin Live Illustrious Arm, or VPI HR-X, or SME 20 with SME 5 Arm, or Origin Live table and arm. The budget is around $7000 (used or new).
For VPI HR-X, SME 20, and Origin Live, I can find some profesional reviews. For Teres, I did not find any profesional reviews, but some user reviews. And there are few A/B comparision reviews on Teres.
It will be greatly appreciated if anybody who A/B compared the above tables to give the information.
Any suggestion is welcomed.
Hanjiang
hzhu1920
As a very satisfied owner of a Schroeder Model 2, I can confidently say that it changes the landscape and makes listening to music a pure joy.

In fact, I would recommend that you spend on the table and arm, and leave the rest of the budget on the cart. There are many good recommendations for tables = scheu, teres, galibier, redpoint, VPI scoutmaster. For arms, there is only 1 I would consider, and the model 2 is THE bargain.

With one of these combinations, just get a decent cart like a DL103R or the Shelter 501 and spend the rest of software. You'll be more satisfied with the result.

PS: Frank has a brass mount top plate specially for the DL103R, its a fantastic match.
Dear Hanjiang: You really have a very nice audio system , especially your loudspeakers.
Now, before I can give you an advise about a tonearm I would like to know which is your phono cartridge to mate with it: this couple cartridge/tonearm is a critical issue in the quality music/sound reproduction on any audio system and it is not a good way to do the things: to choose a tonearm with out to know " with which cartridge ".

About the TT my advise is that you have to stay away of wood/acrylic designs ( save the SME TTs ), those wood/acrylic designs are a beautiful designs but the quality of the sound has nothing to do with how a TT " looks " but how it performs and the all metal TT designs outperforms ( by a wide margin ) any wood/acrylic TT design. That's why Wildwildwes told us: **** " . To my ears, I found both the Redpoint and Galibier superior to the Teres models that i listened to (including the model 340). In addition, as both the Redpoint and Galibier are machined out of various metals, they are not prone to cracking and warping as a wood based table is. " ****

Yes, the Galiber and the Red Point beats Teres. Not that Teres is not a good TT, it is but the materials that choose the manufacturer are not the best ones for the performance of a TT.

You can find, second hand, great all metal ( heavy mass ) TTs here at Audiogon classifieds or you can choose to buy it new units, here are some alternatives: Verdier, Avid, Acoustic Signature, Red Point, Galibier, Brinckman, Micro Seiki, Pluto, Transrotor, SME, ....etc.

Regards and enjoy the music.
Raul.
Dear Hanjiang: There are other two non-all metal alternatives: Sota Millenium and the Big Basis, both TTs use a Vacuum hold record. This characteristic is one of the reason that put these TTs in the " all-stars " all-metal TTs team.

BTW, the profesional reviews is the best way to start your turntable/tonearm/cartridge " hunting ".

Regards and enjoy the music.
Raul.
I realise this could be a can of worms, but I am curious, has anyone actually done a fair A/B comparison between a Teres and an equivalent Galibier or Redpoint?

No doubt there will be differences, but can someone without a vested interest, also setting aside any personal biases(like if you own one or the other), give an honest opinion on the differences you heard. The differences maybe better in one area, but a weakness in another, or it may not be anything but a difference in presentation, with either turntable just being different.

Instead of having biases cloud our opinion, rather celebrate our differences, but could someone just describe what they heard so that others may form informed opinions on each TT's sonic attributes, rather than bashing each other?

I have personally heard Thom's Galibier in his system and was very impressed, but did not have a chance to hear a Teres, or at least a current model, only serial #21. However, both sessions were in different systems which doesn't allow any conclusions to be drawn about their "sound" or lack thereof.
Sorry, but I can't resist...

Døësn't ånyønë ëlsë hâvé än "øptîøn" këy on hîs/hër kêybøard?

(Setting up diacritical marks on a keyboard isn't quite as difficult as setting up a tonearm!)