Teres, Galibier and Redpoint


After a lot of research deciding whether I should upgrade the motor on my Avid Volvare or my cartridge I have now decided that upgrading my transport is the way to go. I don't have to worry about motor compatability problems and I can always upgrade my cartridge at a later date. Being that I nearly always prefer pursueing the small company, and that the unsuspended route seems right, the three shops above have really caught my interest.

The Teres 320 or 340, Galibier Gavia and Redpoint Model A all cost about the same. But the same problem arises, I don't have an opportunity to hear and compare them and unless it's on my system, it doesn't really matter. I in no way mean to insult Chris, Thom or Peter, but what seperates these three tables in term of sonics? I say this only because they are contributors to this forum. Anyone have any opinions?

My arm is a Tri-Planar VII. Phonostage a Thor. Art Audio SET amps. Systrum rack. Thanks for your input. Richard
richardmr
Here's another possible source for your platter ring, that was shared on the Lenco thread:http://www.xs4all.nl/~rabruil/ttring.html Sorry I do not know how to do the nifty link thing;)-~
Hi DougDeacon,

Thom had mentioned something about CES so I assumed he was showing. Perhaps not. It's good to know that the heavier mylar tape seems to be doing the job, but it doesn't make the decision any easier! :)

Hi Colitas,

That is the ring that DougDeacon had mentioned. Unfortunately it doesn't seem to work with TriPlanar tonearm.
Another small upgrade to the Teres tables is that the motor pulley has been changed. Apparently my 160, bought last month, was the first table to incorporate this new tweak (I believe Chris told me the shaft was now phenolic, but I'm not entirely sure). Chris said that this made an audible difference as well.

My system is extremely "budget" compared to most, but I will say that my Teres 160 gives me a whole new appreciation for PRaT.
Doug,

The new belt was just part of our on-going work quest for better sound. Some time ago we did extensive listening to many belt materials, We found that thicker belts sounded slightly better, but did find anything thicker than one mil. So we decided to make our own belts cut from sheet material. It was a pain to create a the cutting jig but now we have a new set of possibilities for materials.

FlyingReds comments about leading edges and smearing is a pretty good description of the Koetsu Urushi I was using at the time. Koetsu's have legendary lushness and warmth, but at a price. It's a sound that some like but Flying Red obviously does not.