A simple question from the new guy ....

Here's the deal:

The trade-off is simply absolute dead silence with compressed dynamics, or a tiny bit of surface noise and the occasional static "sizzle" (if you will) with wide-open dynamics. Serious pops and what-not were most likely due to the owner not properly caring for the LP. If you have a clean, static-free record, you will hear some amazing stuff.

The way I finally came to the conclusion that analogue was far superior to digital, even though it was apparent I was hearing better sound with the vinyl from the get-go, was to play my vinyl copy of Michael Hedges' "Live on the Double Planet" and the CD version simultaneously.

The digital source was a DPA Renaissance CD player running through a DPA Bigger Bit DAC. The analogue source was a Nottingham Analogue Studio Horizon with a Rega RB300 arm and Grado Platinum Sonata cart. running through a Musical Fidelity X-LPS phono pre.

Then I just went back and forth, between the two, with the remote. It was a revelation - seriously. When you realize that what you thought was so special about a dead silent background (I would imagine tape and vinyl were cast aside so quickly because of this simple reason), compared to the incredible sound stage and overall resolution of vinyl, you want to kick yourself many, many times.

Cheers - have fun and good listening.

They are there but not like you probably remember. I don't notice them unless I pay attention. Vinyl sounds so much better than ALL digital that we are willing to put up with the pops and inconveniences that go along with. We wouldn't tolerate it if it wasn't worth it. Once I got vinyl going my CD, SACD player took a back seat.

But if you can't handle the pops and noises then it may not be for you. I would prefer that to the digital edge and coldness in comparison to the "real", layered and somewhat warm sound of true analog.

The better your gear, the more pops, clicks & hiss you`ll hear. New records loose their virginity quickly & develop pops & clicks. Even scrupulous record care is like pissing into a strong head wind.

I have never heard hissing on an album unless it was on the original master recording. Cassette tape hiss is another story. I never could listen to cassette recordings due to the loud hissing. The Dolby noise reduction just took away to much of the highs. When you listen to an album today you will be amazed how much more musical and open it sounds compared to what your used to from your CD player. It just sounds better. Give it a try.

Vinyl is what I was raised on,I'm used to it. Yes you get pops and clicks but it's part of the package. Going into analog is costly, and maybe you'd be better off getting the best out of your digital source that you have. You don't list system but what I'm trying to say is if you have let's say 15,000 invested in a killer digital front end and you want to get into vinyl to egual that sound you will have to spend money on a
Turntable
Tonearm
Cartridge
Record Cleaner
Cleaning Fluid and Brushes
Interconnects
And of course Records.
I try to get equal sound out of my Digital and Analog front ends. This allows me to buy the cheapest source a remastered Cd or a 18o gram pressing which in some sense makes me think I have more money to buy music. If you do go analog Make sure you get someone to do all the adjustments,pay extra for a Tonearm with a azimuth adjustment because someone who knows what they are doing can minimaze the noise from a misaligned cartridge and bad anti skating settings. If you buy a package deal,a TT, Cartridge.Tonearm don't assume that it is set up properly let someone do that for you. There are quite a few of these on Ebay and here. Things get misaligned in shipping,things get desroyed if not packaged properly and this is the cheapest route.