Andre,
I partially agree with Raul and partially disagree:
- if you are looking for the very best phono performance and,
- if you are willing and able to spend enough money then,
- an SUT is not the way to go.
I have bettered my Bent/c-j setup, but it cost me about $6K to do it. That was for a privately designed and built preamp that is not sold commercially. If it were it would retail for $10K+ and it would be a bargain, since it easily beats commercial units costing a lot more than that. Raul's preamp is also a private design/build. I have not heard it but I expect it also sounds magnificent, better than any SUT. But that's not available to the public either, and it would probably cost more than mine if it were.
These private builds are better than most if not all commercial phono and line stages. Mine has been A/B'd against Lamm, Klyne and other top names, and it beats them all. I expect Raul's would too. The problem is finding a serious designer to work with. (If you were in Mexico or the USA it would be easy, Raul or could introduce you.)
If your budget is limited there are two reasonable approaches:
- use a MM or HOMC, as Raul suggests
- use a LOMC with SUT or head amp
I was very happy with the second approach. Since it cost a lot of time and money to beat it, I think it's viable and so do many other people. The pleasure I got from several LOMC's would never have happened without the Bent's, or something like them. I would regret it if I'd missed that.
Doug
I partially agree with Raul and partially disagree:
- if you are looking for the very best phono performance and,
- if you are willing and able to spend enough money then,
- an SUT is not the way to go.
I have bettered my Bent/c-j setup, but it cost me about $6K to do it. That was for a privately designed and built preamp that is not sold commercially. If it were it would retail for $10K+ and it would be a bargain, since it easily beats commercial units costing a lot more than that. Raul's preamp is also a private design/build. I have not heard it but I expect it also sounds magnificent, better than any SUT. But that's not available to the public either, and it would probably cost more than mine if it were.
These private builds are better than most if not all commercial phono and line stages. Mine has been A/B'd against Lamm, Klyne and other top names, and it beats them all. I expect Raul's would too. The problem is finding a serious designer to work with. (If you were in Mexico or the USA it would be easy, Raul or could introduce you.)
If your budget is limited there are two reasonable approaches:
- use a MM or HOMC, as Raul suggests
- use a LOMC with SUT or head amp
I was very happy with the second approach. Since it cost a lot of time and money to beat it, I think it's viable and so do many other people. The pleasure I got from several LOMC's would never have happened without the Bent's, or something like them. I would regret it if I'd missed that.
Doug