Vinyl lovers--in case you haven't tried this yet


One advantage to being home sick with the flu, is that I get to spend time with recent purchases. This week I have finally installed my Lyra Helikon Mono cartridge, cleaned a bunch of old mono recordings and WOW, I am shocked at the warmth, clarity, natural, intimate sound. Perhaps many of you know this already (I bought the cartridge slightly used from a friend, after reading a glowing review by Fremer), but folks this is shockingly good sound. I put on some old Shaded Dogs, mono Archiv recordings of Bach, and frankly, I don't understand this: how can there be a wide, deep soundstage with mono recordings? I'm not missing whatever Stereo does (don't get me wrong, I'm not dumping that side of things), but would someone explain to me how a good mono recording, played with a good mono cartridge, can sound so alive, natural, and present. (As I write this I'm listening to a wonderful Alicia de la Laroccha which I picked up for a buck at Amoeba. ) If you haven't tried this yet, it's worth a listen.
Joe
jsaah
I think you might be running a fever.

kidding.
Some of the best sounding LP's I have are in Mono, but with a stereo cartridge. If I run into a mono cart. for a reasonable price, I'll take your advice and try it out.

Hope you get better (or should I say I hope it drags on?)

;)
Thanks for get well wishes Robm321: my doctor has ordered me to take it easy, drink tea, and listen to beautiful music. I may take my time recovering. And BTW: the mono cartridge makes these mono records sound quite different from the stereo cartridge rendition: more clarity and presence. I'm not an engineering type, but I have read some of the commentary by the Lyra engineer who designed the Helikon Mono and it reads the groove in a different way. Can someone enlighten me in laymen's terms?
Joe