Vinyl lovers--in case you haven't tried this yet


One advantage to being home sick with the flu, is that I get to spend time with recent purchases. This week I have finally installed my Lyra Helikon Mono cartridge, cleaned a bunch of old mono recordings and WOW, I am shocked at the warmth, clarity, natural, intimate sound. Perhaps many of you know this already (I bought the cartridge slightly used from a friend, after reading a glowing review by Fremer), but folks this is shockingly good sound. I put on some old Shaded Dogs, mono Archiv recordings of Bach, and frankly, I don't understand this: how can there be a wide, deep soundstage with mono recordings? I'm not missing whatever Stereo does (don't get me wrong, I'm not dumping that side of things), but would someone explain to me how a good mono recording, played with a good mono cartridge, can sound so alive, natural, and present. (As I write this I'm listening to a wonderful Alicia de la Laroccha which I picked up for a buck at Amoeba. ) If you haven't tried this yet, it's worth a listen.
Joe
jsaah
I think you might be running a fever.

kidding.
Some of the best sounding LP's I have are in Mono, but with a stereo cartridge. If I run into a mono cart. for a reasonable price, I'll take your advice and try it out.

Hope you get better (or should I say I hope it drags on?)

;)
Thanks for get well wishes Robm321: my doctor has ordered me to take it easy, drink tea, and listen to beautiful music. I may take my time recovering. And BTW: the mono cartridge makes these mono records sound quite different from the stereo cartridge rendition: more clarity and presence. I'm not an engineering type, but I have read some of the commentary by the Lyra engineer who designed the Helikon Mono and it reads the groove in a different way. Can someone enlighten me in laymen's terms?
Joe
stevecham, sounds like you're also coming down with a case of "mono"

there was an edition of the old "listener" magazine devoted to mono in which the helikon mono was reviewed and the design explained. if you'd like a copy and don't mind the wait, contact me.
Read an article about mono in the last six months (either Stereophile or TAS). If remembered correctly, mono is recorded on the bottom of the groove and sort of looks like stairs (going up and down).
Stereo, on the other hand, is recorded on the groove walls (one wall for left, one for right channels).
This is why a stereo stylus doesn't track true mono as it should.