David, it's really nice to see someone else who is willing to crunch the numbers and make comparisons. I haven't yet done it with styli the way you have.
However, it has always been my understanding that the dimensional specicfications for styli pertain to what's going on (the radius) at the very tip, and don't tell a lot about (in the case of line contact designs for instance) what the actual contact length/area of the diamond with the groove wall might be. In the case of the ZYX, with such a small radius tip, that line of contact winds up being longer than most, I guess.
The business about new stylus designs contacting previously "unplayed" parts of the groove dates back to van den Hul's (and I guess Shibata's) line contact styli designs. These types of styli contact the groove wall on each side in a line, that runs from the top of the groove wall to however far down the stylus goes. About halfway down the groove wall of old records (played with spherical or elliptical styli) there's a sort of (horizontal) wear line, or "gouge" in the groove wall. The contact line of the newer styli can (in theory) actually skip over this wear point, meaning that it not only contacts new vinyl, but that it might not contact the (noisy) part of the groove on older records.
However, it has always been my understanding that the dimensional specicfications for styli pertain to what's going on (the radius) at the very tip, and don't tell a lot about (in the case of line contact designs for instance) what the actual contact length/area of the diamond with the groove wall might be. In the case of the ZYX, with such a small radius tip, that line of contact winds up being longer than most, I guess.
The business about new stylus designs contacting previously "unplayed" parts of the groove dates back to van den Hul's (and I guess Shibata's) line contact styli designs. These types of styli contact the groove wall on each side in a line, that runs from the top of the groove wall to however far down the stylus goes. About halfway down the groove wall of old records (played with spherical or elliptical styli) there's a sort of (horizontal) wear line, or "gouge" in the groove wall. The contact line of the newer styli can (in theory) actually skip over this wear point, meaning that it not only contacts new vinyl, but that it might not contact the (noisy) part of the groove on older records.