"OTOH, the 901 on a Schroeder Ref sings like a Koetsu, but without that rounding and gentling of transients that Koetsu lovers love."
That's quite a mouthful in a short statement. I don't like the rounding of transients. I've talked a lot about the leading edge of a curve. This just does not represent what I get with my Rosewood Signature. That is the calling card of the Rosewood.
" I find the the RSP's midrange "magic" intolerable. OTOH, if that's the kind of thing you like, you'd like it very much!"
Ouch! I suppose everyone has thier own preferences. I just have to disagree.
I'd be the first to admit the Koetsu is a better match for lean components. "Intolerable" that's a bit much.
That's quite a mouthful in a short statement. I don't like the rounding of transients. I've talked a lot about the leading edge of a curve. This just does not represent what I get with my Rosewood Signature. That is the calling card of the Rosewood.
" I find the the RSP's midrange "magic" intolerable. OTOH, if that's the kind of thing you like, you'd like it very much!"
Ouch! I suppose everyone has thier own preferences. I just have to disagree.
I'd be the first to admit the Koetsu is a better match for lean components. "Intolerable" that's a bit much.