Expounding a bit: Viridian, your last question I think may really concern phase. You might be thinking of "flanging" as an analogy, or the way loudspeakers behave regarding crossovers and multiple drivers or reflective room surfaces. If so, that would not apply to this situation, it seems to me -- that sort of reinforcement/cancellation phenomana requires mixing of more than one sound source, which I think the encode/decode of vinyl playback doesn't qualify as. You are right that pitches are affected, and the resulting pitch distortions will derive from addition and subtraction, but I don't believe there is any constructive/destructive reinforcement going on as I understand the concept. For instance, to "flange" as they originally did in the recording studio, you need two reels of tape both with the same signal recorded on them, played back in synchrony, which is then modified by applying friction via the engineer's hands to the reels' flanges. But if you recorded one reel of tape while altering the pitch by applying drag to the flange, and then played that pitch-altered reel back while doing the same thing again, the "flanging" effect would not be the result, just further pitch distortion.
Is Direct Drive Really Better?
I've been reading and hearing more and more about the superiority of direct drive because it drives the platter rather than dragging it along by belt. It actually makes some sense if you think about cars. Belt drives rely on momentum from a heavy platter to cruise through tight spots. Direct drive actually powers the platter. Opinions?
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- 275 posts total
- 275 posts total