Is Wally tool preffered for Graham 2.2?

Hello Albert - yes, it's been quite a while, indeed. Nice to hear from you and allow me to answer your newest questions a bit: On your first point, which suggests that a typical unipivot can have play accumulating to perhaps several thousanths of an inch, I would first state I cannot speak for other unipivot designs; however, on ours, the pivot point is firmly, and I mean FIRMLY, anchored by gravity and the very fine, matched pivot and cup surfaces of our Swiss-made bearing set (made to our own specifications and not available elsewhere). Any such variation in setup would also be present during play, and that's completley unacceptable.

Of course, one can yank on the arm during alignment and move it, but on a proper turntable installation, with the armbase cutout at the right angle, there will be no internal interference and, thus, no fore-aft movement of the pivot during alignment. This bearing (and especially in the new Phantom which has an even improved bearing design over the 2.2) it will just stay as centered as a fixed-bearing arm. No, don't worry about that one.

On the second point, the downward force of the stylus gauge is automataic; you do not need to push down during use, nor should one try to. Admittedly, this downward force is "average" and some cartridges may benefit from a little more or less force; still, I believe this method results in more EASILY obtainable accuracy than typical protractors due to the fact that you're aligning the cantilever directly, rather than the cartridge body. Of course, Wally's gauge also works with the cantilever, and very well, too, but we like to think our "off turntable" system allows for a bit more safety and freedom from eyestrain than the on-turntable protractor approach
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And I agree the forum is a fun place, as I said. But as I also said, one must watch our for well-intentioned, but neverthless inaccurate theories to be started about things, lest others take it as gospel...

I also agree that audio is such a personal thing, and perhaps analogue is the most personal of all, what with the various combinatins of products, each proporting to have solved everyone else's design problems...! I believe strongly in what I have designed and explained on my website. In the end, it's all about enjoyment and music; and so in that we're all heading in the same direction ...!

Dear Sirspeedy: I never owned or work with the Wally tool and I don't have the 2.2.

I own the DB, Dennesen, ADC and Cart Alig protractors. Usually I work with the DB one for set the overhang and with the Cart Aling for cartridge orientaion ( lateral angle of the cartridge in relation to the tonearm tube ).

The DB and ADC tools are of the two null points design and are far better than the one point Dennesen and Cart Align ( I'm a little surprised that Albert use this one point tool over other two points ).

I'm very satisfied with those tools, I never had any problems about cartridge set up in any of my several differents tonearms/cartridges combinations. My Audiocraft AC 3300 is in some ways similar to the 2.2 and is extremly easy to do the set up with the DB pprotractor.

I know that the cartridge set up on overhang, Azymuth, etc etc, are critical but as a fact if the overhang or the distance between the center spindle and the pivot center of the onearm are out, say by 0.1mm it does not make a sound reproduction difference against and error of 0.2mm or 0.0mm, so don't be nuts about.

Dear friends, please don't try to complicate something that is relative easy. Don't try to do here the same like the SRA for each record/track.

When you are nuts about overhang and SRA and are " figthing " with it I really don't know when you will find the time for listen to the music !!!!!

Regards and enjoy the music.
Raul.

That was a very interesting info to read and I agree with Bob. A few days ago my audiophile Friend and we met us to compare a Kuzma Airline with the Graham Phantom, both were fitted with same cartridges ( UNIverse ), connected with identical Phono Stages ( Klyne 7 ) and to make a long story short, these 2 Arms are the best I ever listened to and the alignment system from Graham works very well.

Hello Bob,

Many thanks for contributing to our little chat. You wrote:

Our instruction book also points out another fact that the writer missed: the flip-over target plate of the alignment gauge DOES place about 1.25 grams of load force on the stylus, thereby placing the cartridge in it's dynamic operating position.

and...

...our gauge does load the stylus tip so that typical VTF/VTA forces are applied.

For this to be true, wouldn't the cartridge have to be the same height as the one you designed the tool around?

Any variation in cartridge height would render the flip-over target plate less accurate as a VTF/VTA emulator. More significantly, since a different height cartridge changes the angle of the (unpressured) target plate, it also shifts the alignment points forward or aft from your intended location.

Your alignment tool is wonderfully ergonomic and ingeniously designed. Some of the rabidly particular (including myself) just prefer aligning under actual conditions. One of those YMMV situations I suppose.

Regards,
Doug

Raul,thanks for the info.All other contributors,as well.Though I do have some additional tools,I've decided against using them as I feel confident in my Graham stuff.I have heard quite a few other set-ups,and am confident in my set-up skills(with my own stuff),as well as being much more than simply satisfied with the sound I'm able to get from my rig.I guess that's what it's all about,at least to me!My cartridge sits perfectly in the Graham jig,so will leave well enough alone.I really don't want to get too nuts,and I will recommend the same to my friend,who wanted me to initiate this thread.I'm happy that Bob has brought some of the questions "down to earth",and he clearly has the clout to extinguish the "fires" that some have inadvertantly set,over the last year!---Hooray!!

Thanks to all!