Levinson 320S Phono Module vs. Klyne 7PX


Just wanted to get your opinion on the above choices. Using a ML 320S linestage, will I have better sound using the dedicated phono module for the 320S, or a Klyne phono stage plugged into one of the 320S line inputs?

Thanks in advance for any opinions from the forum's analog gurus.
ca2284
I think the Klyne phono stages were showing their age back in the mid 90s.I would pursue other stages.
I have a No. 32 with the built-in phono stage. I bet it is the same stage as that in the 320. While it is certainly an ergonomic wonder (lots of practical adjustments done by remote control), it is not the best sounding stage to me. It presents a somewhat flat soundstage and has a bit of the mechanical, artificial sound to the leading edge of transients that is common to transistor gear. It is not "bad," but I don't think it is quite up to the standards of the linestage itself. I have not heard the Klyne in my own system, but I've heard it elsewhere and I think it is quite good for a solid state stage.

By the way, I currently use an Emotive Audio Epifania linestage with a Viva Fono phono stage (both use tubes). This is not as quiet as the No. 32, but they are astonishingly more natural sounding.
Its a no brainer. Klyne is established as a great phono stage whereas Levinson? It is merely an accomodation