Hi Jloveys, tell you the truth, until I hear it for myself, I can't say. Which is why I am commissioning two stone plinths, one of slate and one of something else. Also to realize - finally - that first dream I had of a marble Lenco back in the Helsinki days. But, my alarm bells ring when I read statements like "the best minds seem to be going towards slate", when, in fact, slate was never compared to any other type of stone and reported on and, as well, that the current slate craze started in Wales, world exporter of slate (and not much else, all due respect to the Welsh).
Add to that various well-known crazes in audio, like digital amps (which lose their allure after one gets used to them) and the well-known audiophile equipment trick of emphasizing the higher frequencies in order to present bogus detail (which has worked repeatedly over the years), and the fact that stone will reflect energies far more than any type of wood so leading to this similar unbalance, and I have cause to be suspicious. Add, furthermore, the well-known propensity of many audiophiles to always look for the exotic and difficult over the simple and effective (consider cables, complex circuitry, multiple-layer podded belt-drive monstrosities, etc.). But, I also respect many of those espousing slate, which explains why I will go to the trouble of having a slate plinth made. Finally, slate is not the CLD material it is made out to be, what it is is endless layers of the same material, fractious exactly where these layers meet each other, which might lead to yet more detail emphasis rather than, like certain wood products, absorption of noise and neutral preservation of true tonalities and so forth. Marble and travertine, however, both made of conglomerates of disparate materials, far better deserve the characterization of "CLD" (and are beautiful to boot). Anyway, we'll find out, and I will report honestly, as always. Might be my farewell present to myself.
In other news, I recently finished a Garrard 301 project, which involved a Loricraft power supply. I built it into an Ultra birch-ply/mdf plinth (larger than the usual 23" x 19" x 6" plinth), mounted both a Triplanar VII and a 12" cherry tonearm to it (and tested that with my Denon 103"E") and found it to be exceedingly good. This was definitely the best result I have ever gotten from a Garrard, and the fellow it belonged to reported it was the best playback he has ever heard (saying it handily outperforms both the exotic-material Raven and the SME 30) and that it beat his EMM Labs digital set-up (retrieving previously-unheard detail), though it's hard to say whether it was the mass, the power supply, or both. Coincidentally, in a recent talk with someone (I forget who now) I was told it was an underground understanding that Garrards sound best at 240V, and the Loricraft power supply allows just this. So, for those who own Garrards, it might be something to try to get a step-up transformer - assuming you have the "original" European wheels - and try this out to see if it makes an improvement.
I've been playing around with that Antique Sound Lab preamp, and though it is not in the same league as the CJ preamps in audiophile terms (but not too far behind), it just has SUCH literally hair-raising timing (as so many of the ASL pieces have) that it has become my premier beloved preamp: when it plays MUSIC (even with digital!!), I just start to melt, to shiver, to experience that long-lost (since the ARC SP-8 days) Kundalini Effect!!! Caveat: according to the dealer here in town, you have a roughly 50-50 chance it will blow up on you. But I've always had good experiences with ASL gear. Now to roll the dice on an ASL Typhoon :-). My dealer will have a heart attack.
Anyway, I'll soon also have my Sony 2250 set up in one of my Giant Direct Coupled plinths, that same beastie which I reported on a while back trampled the legendary Technics SP-10 MKII underfoot (but not a Lenco, using the same RS-A1/Monster Cable Sigma Genesis 2000 - currently the mind behind ZYX - on each ;-)). In addition, the Sony, which has an absolutely superb main bearing (clearly better than the Technics), DOES respond to power conditioners, quite well, further improving things. I'm thinking of putting an Oracle mat (hard metacrylate, not so heavy) on the Sony platter. Will report on THAT combo in the near future, before starting on the Rek-o-Kut.
So, have an equal amount of fun, laddies and lasses.
Add to that various well-known crazes in audio, like digital amps (which lose their allure after one gets used to them) and the well-known audiophile equipment trick of emphasizing the higher frequencies in order to present bogus detail (which has worked repeatedly over the years), and the fact that stone will reflect energies far more than any type of wood so leading to this similar unbalance, and I have cause to be suspicious. Add, furthermore, the well-known propensity of many audiophiles to always look for the exotic and difficult over the simple and effective (consider cables, complex circuitry, multiple-layer podded belt-drive monstrosities, etc.). But, I also respect many of those espousing slate, which explains why I will go to the trouble of having a slate plinth made. Finally, slate is not the CLD material it is made out to be, what it is is endless layers of the same material, fractious exactly where these layers meet each other, which might lead to yet more detail emphasis rather than, like certain wood products, absorption of noise and neutral preservation of true tonalities and so forth. Marble and travertine, however, both made of conglomerates of disparate materials, far better deserve the characterization of "CLD" (and are beautiful to boot). Anyway, we'll find out, and I will report honestly, as always. Might be my farewell present to myself.
In other news, I recently finished a Garrard 301 project, which involved a Loricraft power supply. I built it into an Ultra birch-ply/mdf plinth (larger than the usual 23" x 19" x 6" plinth), mounted both a Triplanar VII and a 12" cherry tonearm to it (and tested that with my Denon 103"E") and found it to be exceedingly good. This was definitely the best result I have ever gotten from a Garrard, and the fellow it belonged to reported it was the best playback he has ever heard (saying it handily outperforms both the exotic-material Raven and the SME 30) and that it beat his EMM Labs digital set-up (retrieving previously-unheard detail), though it's hard to say whether it was the mass, the power supply, or both. Coincidentally, in a recent talk with someone (I forget who now) I was told it was an underground understanding that Garrards sound best at 240V, and the Loricraft power supply allows just this. So, for those who own Garrards, it might be something to try to get a step-up transformer - assuming you have the "original" European wheels - and try this out to see if it makes an improvement.
I've been playing around with that Antique Sound Lab preamp, and though it is not in the same league as the CJ preamps in audiophile terms (but not too far behind), it just has SUCH literally hair-raising timing (as so many of the ASL pieces have) that it has become my premier beloved preamp: when it plays MUSIC (even with digital!!), I just start to melt, to shiver, to experience that long-lost (since the ARC SP-8 days) Kundalini Effect!!! Caveat: according to the dealer here in town, you have a roughly 50-50 chance it will blow up on you. But I've always had good experiences with ASL gear. Now to roll the dice on an ASL Typhoon :-). My dealer will have a heart attack.
Anyway, I'll soon also have my Sony 2250 set up in one of my Giant Direct Coupled plinths, that same beastie which I reported on a while back trampled the legendary Technics SP-10 MKII underfoot (but not a Lenco, using the same RS-A1/Monster Cable Sigma Genesis 2000 - currently the mind behind ZYX - on each ;-)). In addition, the Sony, which has an absolutely superb main bearing (clearly better than the Technics), DOES respond to power conditioners, quite well, further improving things. I'm thinking of putting an Oracle mat (hard metacrylate, not so heavy) on the Sony platter. Will report on THAT combo in the near future, before starting on the Rek-o-Kut.
So, have an equal amount of fun, laddies and lasses.