Is Digital actually better than Analog?

I'm all for surround in my HT system, it's great with movies.
It's just not for music.

What is the difference between movie sound and music sound? Many movies contain up to 50% music. If it is realistic for a movie than why not for music. Have you listened to Amadeus in 5.1?

I will grant you that there is a drawback to surround....it is extremely expensive to get the same level of quality as in two channel. This is very simply because you need FIVE high quality speakers (and sub) instead of two.

To me this is the crux of the problem with surround; it is roughly three times as expensive to maintain the same quality timbre matched speakers compared to a stereo setup. If a good set of main speakers are $10K, then a similar quality surround system will be at least $30K. Most people compromise and don't even get matching speakers (or sub) and, no surprise, they find the comparison of surround to stereo is unfairly biased towards stereo. Our ears are not fooled...you need the same quality matching surround speakers to get the full advantage of surround....or else all you get is special effects.

Shadorne - very well put. Bravo!

I'm not real bright but it seems to me that the means of reproducing the music should be the same as the recording. I do not mean by that digital v. analog(remember that question?). Movies are recorded in Surround Sound while music usually is not. There are newer notable exceptions.

Taking a Doors tape and mixing in in 5.1 does not change how it was recorded. Music can be gimmicked to sound surround when it really isn't... No one is fooled by this kind of compromise!

All things being equal, I still think speakers are the least important link in the chain.

11-13-06: D_edwards
"I'm all for surround in my HT system, it's great with movies.
It's just not for music."

Explain the difference?

Seems that struck a nerve, so I'll explain. I do find that surround sound helps to place me in the movie scene better. I'm on the beach in 'Saving Private Ryan', etc. However, I always found it uncomfortable when listening to music. I went through the surround sound phase for a year or so about 6 years ago. Trying high end pre/pro's from Proceed, Classe, Anthem, etc. Yet the music just didn't sound right. Maybe if you are trying to recreate the sound of a Dance club and be 'in the middle' of it, this is the way to go. If trying to recreate a live orchestra, it doesn't work. I want the orchestra performing in front of me, not all around me. I also found the center channel to throw off imaging, not inhance it.

The biggest hurdle though was tonality. No, I have never heard a receiver, or pre/pro for that matter, recreate the natural tone sound of an instrument as some high end stereo gear. I also find that vinyl is better suited at recreating this natural tone than digital. Strings are the best example of this. To me, massed strings sound congested and edgy through even $10K+ digital systems. A receiver or pre/pro may not be revealing enough to show this though, as many of them digitize the signal anyway.
FWIW, Digitally Mastered LP's also suck at recreated massed strings and instumental tonal colors, IMHO.

You really think your VA's and BAT gear are THAT much better than my surround receiver? How's that Judas Preist song go? "tell you right now, you got another thing comin'"

While I'm honored that you are researching my equipment, I guess I must admit that no, there isn't THAT much of a difference if Judas Priest is what you're listening to.

I KNOW my system can play orchestral music as well as your two channel system. maybe i'd have to use the $1500 receiver just for a safe discerbable margin. You own BAT gear and all the limitations of that BAT gear...fact

This doesn't even require a response. If your receiver sounds good to you, you are fortunate indeed, LOL.
'nuff said.

When watching a movie, I find myself distracted by the video screen, so musical tonality is not as big an issue here. Especially since music tends to be digitized and in the background of the dialog in the movie.

If digital, receivers and pre/pro's make you happy, count your blessings. I have friends who are perfectly happy drinking a Budweiser. I much prefer a good micro-brew. It would be great if a Bud tasted just as good to me, it would save me a few pennies.

You, Cd and Shardorne are welcome to your opinions, as long as I'm entitled to mine. It does seem as though you are lost in this forum though. You may have an easier sell with the surround/digital package of ideas in the digital and/or video forums as opposed to the analog forums.

I normally write IMHO (In My Humble Opinion) in my responses. I stopped doing that in this thread because you all haven't quite grasped that yet. You are more than welcome to your opinion, but don't try to force your opinion on others by calling it a fact. Published DBT results don't mean much to those that don't belive the method is valid, and no I won't get started, it also is a waste of time to debate this.

I find it hard to believe that you cannot see how pointless this all is. You will not convince me that digital/surround is better anymore than I can convince you that analog/stereo is better. Obviously neither one of us is a weak minded sheep. So again I ask, what is the point? I almost feel like I'm back on Audioreview.com arguing cables, DBT's and other meaningless nonsense. Not that your opinions, or mine, are nonsense. It's just that the argument never ends, and no one changes their mind. It just seems to me like a dog chasing his tail. I'm done chasing my tail, feel free to try and convert analog purists to your digital/surround philosophy. Let me know how you make out. :)

Sure, there are some that can sell snow to the Eskimo's, but you three aren't the ones.

Peace out,
John

Taking a Doors tape and mixing in in 5.1 does not change how it was recorded. Music can be gimmicked to sound surround when it really isn't... No one is fooled by this kind of compromise!

This is such a true statement....gimmicked sound is not good, Depending on the master tapes it may be difficult to get something decent in 5.1 if the studio recording was not planned that way (for example you don't have all the separate tracks for each instrument/microphone).

However, not many people realize the amount of "gimmicking" going on in order to produce good stereo sound and a good stereo image. Artificial reverb and the like is almost always added to certain tracks. Voice is often doubled. Check out Sergeant Pepper on Wikipedia for an example of severe messing around in stereo....