Project Debut III vs. Music Hall MMF 5?

I tried several older "vintage" Linear tracking arm tablesmMy friend said they were the best tables around. Forget tis high end lunacy!
There is one major difference though he mods them.Just a cap here- and a resistor there- nothing huge but the sound is much better, especially in view of your cartridge choices.
My initial experiences with them was similiar to yours but they all had mechanical difficultuies. Some only lasted just a couple months but man its nice not buying a motor controller. The strobes and adjustments right there. No worry about the table running over auto lift and return.... Too bad it's like suggesting tone controls on your preamp. Instead you end up spending a fortune on different components cables etc.. I used NOS tubes also a major investment just to change the tone. The supply olf good old tubes is seems pretty much finally exhausted at this point. Finding a true New never used tube is exceedingly rare. What passes for NOS today is used but is still fairly strong and functions OK for the most part

Hello All,

So from what I am hearing, I may be able to get more bang for my buck in terms of construction quality and performance out of a direct drive table like the Technics 1200 series. This table does not come with a cartridge. As a vinyl beginner, it sounds like I should start out with a high output cartridge (either moving coil or moving magnet). Any suggestions on a cartridge that would pair nicely with the Technics 1200? I’ve never installed a cartridge before. From what I’ve read it sounds like a finicky procedure…

Does the type of music one listens to have an impact on what turntable he should buy? I listen all types, but mostly classical - if that makes a difference.

If I decide to go with a belt driven table it sounds like I should give serious thought to the Rega P-2 over the Music Hall. It seems like the general consensus is that the Music Hall MMF 5 is a superior table to the project III. I have been warned away from the Project Expression – the shop I visited once carried it, but upon hearing it, stopped selling it.
So, if the Project III is out of the running, should I go with the Rega P-2 or the Music Hall. Living in rural Vermont, I unfortunately don’t see myself having the opportunity to hear these tables side by side, so let me know what you think.

I’ve got some good recommendations for phono pre-amps. From what I’m hearing, tube pre-amps can sometimes be noisy (especially with low output mc cartridges). All the same, I am inclined towards the Tube Box because it was so fervently recommended to me at the hi-fi shop. With a high-output cartridge, will the Tube Box II (or SE) work as well as any?

Thanks for your help!

-Bruno

Bruno,

I highly recommend getting a better table and as cheap a phono stage and cartridge as you can with the idea of upgrading them when funds allow. The better table/arm will by far make more difference. The recently revised Rega P2 is a good way to go, but I would go for the about-to-be-released upgraded P3. The upgrade path for the P3 is significant and you'll be much less likely to outgrow it. It has the option of the purpose built outboard power supply and many other upgrades. You could even get it with the Rega Elys 2 cartridge package for $1045, realizing a $45 savings, run it into a Bellari VP-29 for $76 and still be within your $1200 budget. If you were willing to stretch, the P3 with the Rega Exact 2 would run you $1295, with a $100 savings; $1370 with the Bellari. If you go with the Rega 'table/cartridge combo, set up couldn't be simpler.

Regardless of which table/arm you get though, prioritize as good a one as you can manage and uprgrade the other things later. Even in the short run you will have better sound.

Disclaimer: I'm a Rega dealer.

I have a Technics SL1210 and listen to a fair amount of classical music. Once the cartridges broke in and I put the TT on an isolation platform, I've been very pleased with this TT for classical. It in fact excels in acoustic music, whether folk, pop, jazz, or classical. Right now I switch back and forth between a Shure M97xE and Ortofon OM 10, with an general preference for the Shure. Their mass & compliances are both good matches for the tonearm.

If you add the KAB fluid damper to the SL12x0 tonearm, word is that it then accommodates a wider range of cartridges. Various Technics owners on this forum have spoken well of the Audio Technica AT440ml, Shure, Ortofon OM series, and Denon DL110, DL160, and 103 cartridges.

Hello All,

Thanks for the great advice. I’m going to go with a Technics table. Can anyone summarize the differences between the differences between the different models in the SL 1200 - 1210 line? I see on needledoctor.com that there are four different models spanning a $150 dollar price gap. It seems like the more expensive models have more bells and whistles that would be useful to a DJ though not necessarily to someone like me who would just be listening at home.

-Bruno