Project Debut III vs. Music Hall MMF 5?


Hello All,

I am setting up my first turntable. I’m looking to spend $600 - $1,200 all told between a turntable, phono preamp, cartridge, etc. preamp (My receiver, a NAD 720 bee, does not have a phono preamp).

I am considering the “Project Debut III” ($299) with the “Tube Box SE” ($549) or “Tube Box II” ($349) this was the set-up recommended to me by what seems like an excellent hi-fi shop in Boston with a very knowledgeable staff. However, the Project Debut III was the only table they had in my price range.

A friend of mine has the Music Hall MMF 7, which sounds amazing to me but is out of my price range. I was told that Music Hall and Project are made by the same people or in the same factory, or something like that, so I’m wondering if the Music Hall tables are basically the same family of turntable as the Project but a step up in quality. I would be happy to pay a little more for a table like the music hall mmf 5 ($629) over the Project, but have not had the chance to listen to listen and compare tables.

So, will the extra $300+ for the MMF 5 mean much better sound than the Project Debut III)? If so, I am happy to pay it. If I go with the Project, does it make sense to spend more on a phono pre-amp (the Tube Box SE or Tube Box II) than the actual turntable?

Since purchasing a semi decent sound system a few months ago I can’t stop listening to my collection of recordings. What a difference! I had no idea. I’m looking forward to starting in on the vinyl. Thanks for your advice.

-Bruno
bruno1
Hello All,

So from what I am hearing, I may be able to get more bang for my buck in terms of construction quality and performance out of a direct drive table like the Technics 1200 series. This table does not come with a cartridge. As a vinyl beginner, it sounds like I should start out with a high output cartridge (either moving coil or moving magnet). Any suggestions on a cartridge that would pair nicely with the Technics 1200? I’ve never installed a cartridge before. From what I’ve read it sounds like a finicky procedure…

Does the type of music one listens to have an impact on what turntable he should buy? I listen all types, but mostly classical - if that makes a difference.

If I decide to go with a belt driven table it sounds like I should give serious thought to the Rega P-2 over the Music Hall. It seems like the general consensus is that the Music Hall MMF 5 is a superior table to the project III. I have been warned away from the Project Expression – the shop I visited once carried it, but upon hearing it, stopped selling it.
So, if the Project III is out of the running, should I go with the Rega P-2 or the Music Hall. Living in rural Vermont, I unfortunately don’t see myself having the opportunity to hear these tables side by side, so let me know what you think.

I’ve got some good recommendations for phono pre-amps. From what I’m hearing, tube pre-amps can sometimes be noisy (especially with low output mc cartridges). All the same, I am inclined towards the Tube Box because it was so fervently recommended to me at the hi-fi shop. With a high-output cartridge, will the Tube Box II (or SE) work as well as any?

Thanks for your help!

-Bruno
Bruno,

I highly recommend getting a better table and as cheap a phono stage and cartridge as you can with the idea of upgrading them when funds allow. The better table/arm will by far make more difference. The recently revised Rega P2 is a good way to go, but I would go for the about-to-be-released upgraded P3. The upgrade path for the P3 is significant and you'll be much less likely to outgrow it. It has the option of the purpose built outboard power supply and many other upgrades. You could even get it with the Rega Elys 2 cartridge package for $1045, realizing a $45 savings, run it into a Bellari VP-29 for $76 and still be within your $1200 budget. If you were willing to stretch, the P3 with the Rega Exact 2 would run you $1295, with a $100 savings; $1370 with the Bellari. If you go with the Rega 'table/cartridge combo, set up couldn't be simpler.

Regardless of which table/arm you get though, prioritize as good a one as you can manage and uprgrade the other things later. Even in the short run you will have better sound.

Disclaimer: I'm a Rega dealer.
I have a Technics SL1210 and listen to a fair amount of classical music. Once the cartridges broke in and I put the TT on an isolation platform, I've been very pleased with this TT for classical. It in fact excels in acoustic music, whether folk, pop, jazz, or classical. Right now I switch back and forth between a Shure M97xE and Ortofon OM 10, with an general preference for the Shure. Their mass & compliances are both good matches for the tonearm.

If you add the KAB fluid damper to the SL12x0 tonearm, word is that it then accommodates a wider range of cartridges. Various Technics owners on this forum have spoken well of the Audio Technica AT440ml, Shure, Ortofon OM series, and Denon DL110, DL160, and 103 cartridges.
Hello All,

Thanks for the great advice. I’m going to go with a Technics table. Can anyone summarize the differences between the differences between the different models in the SL 1200 - 1210 line? I see on needledoctor.com that there are four different models spanning a $150 dollar price gap. It seems like the more expensive models have more bells and whistles that would be useful to a DJ though not necessarily to someone like me who would just be listening at home.

-Bruno
Hi Bruno, good to see you're taking a dive into DD tables. The 1200 is an awsome table even for twice the price. If you can pull it off, get the KAB modded version. The tweaked version takes this already excellent table a huge step forward.

Vegasears, how do you like the SL-10? I have also recently picked one up in great shape for close to nothing. If you do a google search, there is a good folloeing on this table and it still fetches very good used prices. Really fun and odd looking table with good sound as a bonus.

Cheers all!