Mtkhl567, I don't want to start a confrontation with you, I did the photography for Grand Prix, the same images used in Fremer's review.
I like Alvin Lloyd a lot, they don't get much better than him, we had a few days together getting the images of the Grand Prix table and I already use his stands under my amps.
Cut to the chase, do you really think Mike Fremer could not get ANY EQUIPMENT made at a deep discount? There are Audiogon members with connections that get great deals, imagine what one of the most influential writers in high end audio can get.
Point I'm making, he would not sabotage his career for a deal on equipment. It's just too damn easy for him to get whatever he wants anyway.
PLEASE do not confuse my argument with taking sides for or against the Grand Prix table. I have too little experience with it to argue but suspect Mike Fremer is speaking the truth, even if his taste and experience does not agree with you or others here at Audiogon.
Imagine if the review had been a rave for Evolution Acoustics, would you think he was being bribed to say they were good?
I should add here, I have never so much have been offered a soft drink by J. Tinn and I awarded him product of the year last November at PFO for the MM3.
Was that OK, or was it a wink and a nod from Tinn that made me do it?
I like Alvin Lloyd a lot, they don't get much better than him, we had a few days together getting the images of the Grand Prix table and I already use his stands under my amps.
Cut to the chase, do you really think Mike Fremer could not get ANY EQUIPMENT made at a deep discount? There are Audiogon members with connections that get great deals, imagine what one of the most influential writers in high end audio can get.
Point I'm making, he would not sabotage his career for a deal on equipment. It's just too damn easy for him to get whatever he wants anyway.
PLEASE do not confuse my argument with taking sides for or against the Grand Prix table. I have too little experience with it to argue but suspect Mike Fremer is speaking the truth, even if his taste and experience does not agree with you or others here at Audiogon.
Imagine if the review had been a rave for Evolution Acoustics, would you think he was being bribed to say they were good?
I should add here, I have never so much have been offered a soft drink by J. Tinn and I awarded him product of the year last November at PFO for the MM3.
Was that OK, or was it a wink and a nod from Tinn that made me do it?