the 1200 would be the classic here. you may want to look at the denon 500m as well. the mmf7 and rega 5....are arguably on par with the technics and denon
How does the Technics SL 1200 compare with....
other belt drive tables with comparable price tags? Specifically, the Music Hall
MMF 5, and the Rega p3. For arguements sake, lets say these items are all going to be placed on a three inch thick block of oak with vibrapods, and also have comparable cartridges and preamps. I really want to make a foray into vinyl, but for the life of me I just can't decide on a player. Any help would be much appreciated.
MMF 5, and the Rega p3. For arguements sake, lets say these items are all going to be placed on a three inch thick block of oak with vibrapods, and also have comparable cartridges and preamps. I really want to make a foray into vinyl, but for the life of me I just can't decide on a player. Any help would be much appreciated.
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Here's the obvious answer but I rarely take my own advice: Buy two or three units used if you have the cash on hand, compare them together in the same room on the same system, and then sell what you don't like. If you've been coming to audiogon enough you should know w/in $50-$100 what you will be able to resell for and you could easily wind up even or perhaps making a bit of money. |
Really, the Technics is a cheaper starting platform than the other two. You can get an SL1210 Mk2 from Musicians Friend for $399.99 here. That's almost in the price range of a P1 or MMF 2.1. Remember, the P3 is $685. For that money you could get the SL1210 Mk2 plus KAB's fluid damper and threaded clamp mods. The platforming you mention (thick slab of wood with Vibrapods or Isoblocks) is essential for moving the SL12x0 'tables up into their potential. To that I'd add a Sumiko headshell to increase tonearm/headshell rigidity and use its azimuth feature to optimize cartridge angle. Now it can handle a wide variety of cartridges, both in weight and compliance. The big inherent advantage of the MMF5 and Rega P3 is their tonearms. The big inherent advantages of the Technics are speed accuracy, low motor noise, close tolerances, build quality, and ergonomics. You can narrow the gap in tonearm performance with the KAB fluid damper and Sumiko headshell. Or you can eliminate the tonearm gap this way: Start with the SL1210 Mk2 for $400 and order Origin Live's Technics armboard adapter (about $70 here) and an OL-1 tonearm (about $240 here or here). Your total price (plus shipping) is $710, which gives you the Technics drive system and ergonomics with essentially a rebadged Rega RB250 tonearm. That's a mere $25 over the P3 and you have well-mapped upgrade paths available--from KAB for the turntable (outboard PS, threaded clamp, strobe lamp disabler, Isonoe Footers) and Origin Live for the tonearm (structural mod w/tungsten counterweight, tonearm rewire, and slotted armtube). |
jmoog08 - I was looking at the same TTs as you are now. I contacted a well respected on line retailer. The guy I talked to had a VPS Scout...he recommended the Technics from KAB. His store didn't eve carry Technics. That impressed me. I ordered a pretty heavily optioned SL1210M5G this past winter along w/KAB mod'd. Stanton audiophile stereohedron tip cart. I am really enjoying the Technics table. No - I did not do AB testing. Went solely on reviews (here and also TNT Audio), simplicity of setup and operation as well as tank like build. Good luck with your decision. GH |
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