Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
With my ZYX Airy 3 going to a K & K step up transformer, I auditioned a few phono preamps. The funny thing is that I had the phono pre all along. I connected my step up xformer to my properly setup Spectral DMC 10 Gamma (which I just recently had refurbished and brought up to 2007 spec) and then connected the output of the Spectral to a line level input on my Tri Vista 300. WOW. I've yet to hear anything better.

Has anyone else had this experience?
Counterpoint SA-9, upgraded by its designer, beat out the Steelhead with ease. Hard to find used because most wise music lovers hang on to it. My current phono corrector.
Gerrym5 ,

how would you compare your choices, especially the Io and the Wavestream? I've heard both but not side by side.
I can second Swampwalker's opinion that ZYX Artisan is very good. I have not compared it in the same system with all the great ones noted above, but I have heard some of them in systems I greatly respect and enjoy, and have no desire to 'upgrade' to one of those other megabuck phono stages. I think the Artisan swings above its weight (both figuratively and literally - the thing weighs almost nothing). I have also used it in mono and compared it against the Zanden mono stage reasonably extensively (got an offer I could not refuse on the Zanden). The ZYX is smooth and silky and does not sound 'solid-state-y' to my ears, but the Zanden does have a bit more lushness (euphonia).

Among those above which I have heard, if they were all the same price, the one I would choose would be the Connoisseur. I have heard one twice, and each time was wonderful. I also like the line stage.
Pedrillo,

I believe the very best phono stages are indeed very expensive but then again, they do possess state of the art components and design technology. FM Acoustic does a very good phonostage called the FM 222. However, the best I have ever heard (and which I own now) is the bespoke Essential 3160. It is not cheap, but you get a MC, MM and a line stage in the same unit. Apart from the flexibility that this allows, it is simply miles ahead of alternatives in design logic and execution.

A lot will depend on your own audial priorities, however, if you want live events brought into your listening space: the Essential 3160 is simply the best. It will change your expectations of hifi. Very, very, highly recommended.