zyx universe cartr.- ideal weight -ideal vta ,


Dear analogue friends , i want your assistance to regulate my zyx universe cartr.
I use conquerror tonearm and i would know the ideal tested cartr.weight -actually i tried 1,8 and 1,9 gr with good results, other question is if the arm must be completly parallel to the disk or slightly up for optimum performance.
comaris
Hmm,this concept of tracking force being a bit lower,if LP's are really clean "really" turns me on!Never even thought of "that one"!Damn good assumption,with the amazing sensitivities of the best MC's!!I LOVE it!!Makes total sense!!!
Sadly I won't be able to check this out for two reasons...#1 I am in the process of ordering my Phantom,
(back-ordered,and just my luck,so what else is new).#2 I am usually quite lazy with wet cleaning my LP's,even though I have a good cleaning machine.
BTW,for those interested parties...this afternoon,as my wife and daughter left me to fend for myself(in a Barnes and Noble)while they tortured me with the typical weekend shop(lengthly),I just happened to come by the latest issue of some British audio journal(one of the more popular ones,and I forgot exactly which one.....SORRY!!).Here,I noticed something very interesting(to many on these threads).It certainly was to me,as I truly believe that the biggest advances in home "quality" audio(to me,at least) are the "devices" responsible for what goes on in in the actual "groove".This is just my silly opinion,though!
ZYX has a new design out(according to what I read)which seems to be a darn good idea,and though very pricey,I wonder if it will find it's conceptual way into the "UNI".
This is the elimination of the side-walls, amongst other things like coil refinements,etc(as I understand it,which may not be totally acurate,since I am no "maven",but quite a fan).The NEW design is called the "4D"...COOL name!!Price advertised was 2250 British pounds.
I'm left to wonder if this is below the superb "UNI",or if it is(as I assume)will there be some refinements made to the "UNI",in the not too distant future.

Best to all(almost) -:)
today i am tracking at 1.81 with cartridge eye balled level with lp.
but if you really want to take your universe to another level please get a nanomount system. O my goodness.
BTW now that i am using walkers lp cleaning system i think this vtf is possible.
Well put Doug. As usual I again benefit from your experience.

I wonder how that information will relate to my Atmos witha more exposed cantilever? I geuss thats my experimentation process. I'll elt you know.

Stlrains, whats a nanomount system?

Sirspeedy, sorry about the shopping excursion.
Mariasplunge the Nanamount system is a isolation device made of very small brass footers that go between your cartridge and head shell. and another set that goes between your arm and base.
The changes in my system were vastly improved resolution, clarity, incredible imaging and stage dimensions. Its like taking a blanket off thats been in front of your speakers. sold by Mapleshade audio.
I would relate it to taking Universe from Pro stock to top fuel.
In no way am i plugging the manufacturer to me this is one tweak you have to try for your self.
Markd51,

My opinion (nothing more) is that the old "centering the coils in the magnetic field" concept is not the whole story with VTF. Certainly that's important, but when we get down to changes of .01g it doesn't seem plausible (to me) that this is the whole story.

I believe these tiny adjustments are about minimizing the pressure between cantilever and suspension. We must allow the cantilever maximum freedom to respond to groove modulations, consistent with good tracking of course. This is what micro VTF adjustment "sounds" like to us anyway.

There's corroboration in the fact that minimal anti-skating has similar sonic effects. Excessive A/S sounds almost exactly like excessive VTF: smothered highs, slowed transients and dull, lifeless pacing. These effects seem consistent with an over-damped cantilever.

SirSpeedy,
Sorry about the shopping. I hope it wasn't at 4AM!

The ZYX 4D is an international market cartridge based on the Atmos (which is sold mostly in the US). You can read about the Atmos amongst my reviews if it beats doing more shopping! I know a UK dealer who just replaced a Lyra Skala with a 4D. To say he was bowled over would be an understatement. He emailed me out of the blue saying, "Now I understand what you've been talking about with ZYX. I'm going to sell a bunch of these and my customers will love me."

The 4D/Atmos won't replace the UNIverse because it's different but not necessarily better. The open sides give it more macro-dynamic punch and raw drive than a UNIverse, but it loses a step in low level detail, speed, agility and it has a trace more overhang. The Atmos is an extraordinary rock cartridge, probably the best I've heard. The UNIverse is still better for classical and other acoustic instruments, provided you're willing to keep up with the insane fine tuning like we're discussing on this thread.

Mariasplunge,
The Atmos is slightly easier to dial in than a UNIverse but the methods are the same. It responds similarly but its window of acceptable VTF is a bit wider and its performance curve a bit flatter. If you're off a bit the falloff in performance is not as drastic as with a UNIverse. OTOH, the peak of performance when everything's right doesn't soar quite as high.