Hi Bob,
What you're missing that people are trying to explain is that there is no correlation AT ALL between where your Volume knob is set and achieving 83db IN ROOM listening level on a particular record. And because human hearing itself responds differently at higher and lower listening levels, as does the relative response of room mode factors - You must have identical in room's to compare two lp's. The only way you could do that would be if every lp had a test tone track incorporated.
What you do by leaving your Volume knob at a spot where your system produces 83db from ONE randomly chosen test disc, is measure how much relative gain the Mastering engineer applied to the cutter head of each record - kind of. I say "kind of" because even this would only be true if all lp's were recorded at the same In Studio db level.
In cutting lp's, each performance has different requirements determined by how much the stylus travels during low frequence peaks and also by random decisions made about how many minutes and which tracks to put on each side of the lp. The more minutes, and the louder the bass content, the lower the gain you can apply to the cutter head - it's that simple.
Let's take for example, an lp that has nothing but a 1000hz tone that was actually recorded while the tone was being played at a measured in room 83db level in the recording studio. Covering all of side A is 17 minutes of this tone and covering all of Side B is 23 minutes of the exact same 1000hz tone played into the microphone at 83db.
Now - keep in mind that the disk mastering engineer has to reduce the excursion of the cutter head to fit the extra 6 minutes of grooves onto Side B. The tone was still recorded at 83db in the recording studio, however - Same tone, Same vinyl, same stamper number. But the grooves on the 23 min. side will have smaller squiggles and your cartridge will produce less db gain as the coils or magnets travel back and forth a correspondingly shorter distance in the same amount of time.
What happens now?
Not only does it tell you NOTHING about the recording itself to play back both sides with your Volume Knob at the same place - it is FLAT OUT misleading. If you set your Vol. Knob to measure in room 83db while playing the 17 minute side - producing the sound pressure level EXACTLY AS IT WAS RECORDED, and you leave your Vol. Knob where it is to play Side B - you would NOT produce in room 83db and therefore NOT be playing the tone EXACTLY AS IT WAS RECORDED. Case closed.
The 15 minute side will be louder. And it will sound slightly better to you because of that fact alone. (We don't need to prove that the same software, cut at a lower gain will produce more rumble and expose more noise in a system than one cut at a higher gain. We know that.)
Now it's obvious, but with 2 different lp's - before you can decide if one lp is of better quality, either as recorded OR as your system reproduces it - you have to turn your Vol. knob to the point where the the lp is measuring in your room at the level (or a fixed minus/plus db of the level) where EACH WAS RECORDED - which we don't know. The closest you can come is to guesstimate - based on the type of music and the circumstances - but it will virtually never be to leave the Volume output of the preamp at one fixed setting.
What you're missing that people are trying to explain is that there is no correlation AT ALL between where your Volume knob is set and achieving 83db IN ROOM listening level on a particular record. And because human hearing itself responds differently at higher and lower listening levels, as does the relative response of room mode factors - You must have identical in room's to compare two lp's. The only way you could do that would be if every lp had a test tone track incorporated.
What you do by leaving your Volume knob at a spot where your system produces 83db from ONE randomly chosen test disc, is measure how much relative gain the Mastering engineer applied to the cutter head of each record - kind of. I say "kind of" because even this would only be true if all lp's were recorded at the same In Studio db level.
In cutting lp's, each performance has different requirements determined by how much the stylus travels during low frequence peaks and also by random decisions made about how many minutes and which tracks to put on each side of the lp. The more minutes, and the louder the bass content, the lower the gain you can apply to the cutter head - it's that simple.
Let's take for example, an lp that has nothing but a 1000hz tone that was actually recorded while the tone was being played at a measured in room 83db level in the recording studio. Covering all of side A is 17 minutes of this tone and covering all of Side B is 23 minutes of the exact same 1000hz tone played into the microphone at 83db.
Now - keep in mind that the disk mastering engineer has to reduce the excursion of the cutter head to fit the extra 6 minutes of grooves onto Side B. The tone was still recorded at 83db in the recording studio, however - Same tone, Same vinyl, same stamper number. But the grooves on the 23 min. side will have smaller squiggles and your cartridge will produce less db gain as the coils or magnets travel back and forth a correspondingly shorter distance in the same amount of time.
What happens now?
Not only does it tell you NOTHING about the recording itself to play back both sides with your Volume Knob at the same place - it is FLAT OUT misleading. If you set your Vol. Knob to measure in room 83db while playing the 17 minute side - producing the sound pressure level EXACTLY AS IT WAS RECORDED, and you leave your Vol. Knob where it is to play Side B - you would NOT produce in room 83db and therefore NOT be playing the tone EXACTLY AS IT WAS RECORDED. Case closed.
The 15 minute side will be louder. And it will sound slightly better to you because of that fact alone. (We don't need to prove that the same software, cut at a lower gain will produce more rumble and expose more noise in a system than one cut at a higher gain. We know that.)
Now it's obvious, but with 2 different lp's - before you can decide if one lp is of better quality, either as recorded OR as your system reproduces it - you have to turn your Vol. knob to the point where the the lp is measuring in your room at the level (or a fixed minus/plus db of the level) where EACH WAS RECORDED - which we don't know. The closest you can come is to guesstimate - based on the type of music and the circumstances - but it will virtually never be to leave the Volume output of the preamp at one fixed setting.