Teres 260 or Galibier Serac?


I am finally in the market for my next table after 12 years and modding the heck out of an lp12 I am ready. I have also owned during this period a vpi scout, sota and a cj walker. I did not like the scout as I thought it was dark and mushy but the others were ok, Both Thom and Chris' designs appeal to me and appear to be great values. For the time being I am going to stick with the origin live encounter I own and will mount a ZYX yatra on the arm.
Any thoughts as to which table may be better? I am not looking for the table to add or subtract from the music, although I know they all do to a greater or lesser degree. I listen to classic jazz and rock for the most part.

Any thoughts would be appreciated.
jp11801
I found some things that I didn't like about the belt-driven design (namely the stretching of the belt-splice over time and the audible sound of the splice passing the motor pulley).
Both of these problems do exist with the stock belts supplied by Teres and Galibier. But they're easily resolved by DIY-ing one's own belt - a 15 minute task.

My splice hasn't stretched in over two years of daily use, and a properly taped splice makes no noise going around the pulley. These are not difficult problems to solve. Ask anyone who's ever spliced video or audio tape.

The Verus is probably well suited for rock. It was intolerable in our system/to our ears for classical, or any recording of acoustic instruments and top quality vocalists, but for feedback-rich music that's heavily mixed in the production studio, it might provide a great listening experience for many.

Definitely an area of personal choice and sonic priorities.

thanks for the responses, I am looking for as nuetral as possible and want to minimize the tables sonic fingerprint on the music. Maybe a quick trip to Colorado?
Doug, correct me if I'm wrong, but didn't you hear an older version of the Verus? I seem to recall that Chris updated the controller (and commented on the updates) since you played with it.
Yeah, it is my recollection that Doug mentioned that the Verus motor he got was one of the first and it didn't maintain a constant speed.

I am very happy with my Verus. I have a 255 and upgraded from Belt Drive. For me, the biggest advantage was that the speed became rock solid, lending a wonderful solidity to the music.

I listen to a lot of classical music and the Verus really was a large improvement.
Just to follow up on the Verus I agree with Wiliamds as I compared it with silk and belt drive on my Micro RX5000 - which has huge rotational inertia with an additional Audiolife platter. The Verus gives more stability and definition compared to the belt drive - another way is to say more dynamics. I was critically expecting to loose some finesse and texture as a trade off, but that was not the case.