Phono stage revealing limitations of cartridge?


Hi,
I just purchased an Ear 834P for my system. This is my first experience with tubes. I hooked it up and I immediately noticed an improvement over the stock phono stage on my integrated. There was a much more three dimensional presentation. However, after listening for a few minutes, I realized the sound was very thin, light on bass, and the highs were bright and grating. Also, the output of the Ear is really high, so much so that the volume knob on my amp is almost all the way at the bottom and moving it very slightly results in a dramatic increase in volume. I'm wondering what is causing the bright sound. Here are the possibilities I've come up with:

1. The Ear 84P is just revealing the limitations of my cartridge which the stock phono stage had just smoothed over.

2. The stock tubes in it have gone bad. (I'm planning on trying out some Jan Philips 5751's on it to see if that lowers the gain a bit.)

3. The unit is defective/the person that modded it screwed something up.

4. I'm getting some very low level RF interference. You can't here it at all when music is playing, but if you turn it up all the way you can hear it. Perhaps this is causing the brightness.

5. The Ear and the Rotel integrated are a mismatch.

I've tried using a different cable from the phono to my integrated and that didn't change anything. I also tried using a different input on the amp. I tried both MM and MC to confirm that I am using MM.

Does anyone have any suggestions? I'd be really grateful if someone could help me get this sorted out. I know there's a lot of questions here, but I thought tubes would result in warmth, not brightness!!!

BTW, my system: VPI Scout/JMW-9, Sumiko Blue Point No. 2 (2.5 mV), Signal Cable Phono Cable, Ear 834P Deluxe Phono Stage (modded but w/ original tubes), Rotel 1062 Integrated Amp, Blue Jeans speaker cables, Infinity 3500 speakers (circa 1981)
sinisterporpoise68
I am only guessing but its possible that the person who modded it and sold it to you kept the "good tubes" for himself,leaving you with the stock tubes that were voiced for a stock unit..I wouldn't guess at what tubes to use..This is a very well regarded unit..More than likely you just need the proper tube tweek to help...I am sure some Audiogoners can help with proper tube choice...
Thanks Thorman. I'm going to try out the Jan Philips 5751's when they arrive. I found a thread elsewhere in which someone recommended them. But if anyone else has any suggestions, I'd love to hear them.

On a positive note, I've left it on since I got home from work today and I just did a test with "Magattraction" by Girls Against Boys. I played this song last night and it was really grating (my wife had to cover her ears). But tonight after having the Ear on for 4 hours it sounded a lot better. Not quite there yet, but we both agreed it was better than last night. Perhaps it just needs a really strong warm up and break in.

By the way, how long should I leave it unplugged before opening it up to swap tubes? Do people just unplug it and swap and plug it right back in for some A/B testing? I was thinking I'd leave it unplugged for at least a day before doing that...
I'm unclear how you're routing the EAR to your Rotel. Are you saying that the Rotel has a phono stage and that you're plugging the EAR into that? If by chance that's the case, that's the problem. The EAR needs to go to a line input. Just checking. In any case, good luck and good listening.
Yes, your cartridge is likely the major culprit at this point. The Blue Point is notorious for lightweight bass, thin and analytical elsewhere.
I own a Blue Point Special, it too has lightweight bass and is somewhat thin elsewhere, and this should be better than the regular Blue Point.
Get something like a Dynavector 10x5, toss that Blue Point!
The EAR and Scout also deserve something better than the Rotel, something like the Cayin integrateds could fit your budget.